Towards Cultural Access And Participation In Portugal
You can also read this article in French. IETM will host its forthcoming Plenary meeting in Porto,...
Read MorePosted by Maria Vlachou | 13th Apr 2018 | Essay, Portugal, Theatre and Disability
You can also read this article in French. IETM will host its forthcoming Plenary meeting in Porto,...
Read MorePosted by Zolima Citymag | 11th Apr 2018 | Essay, Hong Kong, Theatre and Art
A throng of reporters circled Kristine Li at the officiating ceremony of H Queen’s, a gleaming new...
Read MorePosted by Vikram Phukan | 10th Apr 2018 | Essay, Immersive Theatre, India, Musical Theatre, Theatre and Dance, Theatre and Disability
Rather than experimental theatre, it is the realm of dance works that is considered to be much...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by Marina Davydova | 5th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
Read MorePosted by Ryan Raul Bañagale | 4th Apr 2018 | Essay, Musical Theatre, United States of America
Musicals have long depicted utopian worlds, offering an escape for audiences, if only for a few...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by Ati Metwaly | 30th Mar 2018 | Egypt, Essay
The art practitioners, art aficionados, cultural journalists and–above all–the regular audience...
Read MorePosted by Marié-Heleen Coetzee | 28th Mar 2018 | Essay, Latest, South Africa
World Theatre Day: For a short while we can live vicariously through others – shifting, experimenting, transforming. Pondering possibilities. Imagining how we can ‘become’ differently.
Read MorePosted by Magda Romanska | 27th Mar 2018 | Essay, Poland
Today, we are launching The Spotlight on Poland. Here’s the context….. Following the fall of the...
Read MorePosted by Kasia Lech | 27th Mar 2018 | Essay, Poland, Theatre and Politics
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
Read MorePosted by Lauren Dubowski | 27th Mar 2018 | Divine Comedy Festival 2017, Essay, Festivals, Poland, Theatre and Politics
In December 2017, the Divine Comedy International Theatre Festival (Międzynarodowy Festiwal...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Directing, Essay, Poland, Theatre and Politics
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Acting, Applied Theatre, Essay, Poland, Producing, Theatre and Politics
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Essay, Poland, Polish Theatre and Gender, Theatre and Politics
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
Read MorePosted by Parshathy J. Nath | 26th Mar 2018 | Applied Theatre, Essay, India
Clowns in hospitals, strangely dressed men in aeronautics class, and dance and music in a grim...
Read MorePosted by Marcin Bogucki | 25th Mar 2018 | Essay, Poland, Theatre and Opera
Poland in 2018 marks the centenary of the restoration of its sovereignty. The biggest national...
Read MorePosted by Michał Krawczak | 25th Mar 2018 | Essay, Poland, Theatre and Art, Theatre and Science, Transmedia
The interactive installation Post-Apocalypsis was designed as part of the Polish pavilion at the...
Read MorePosted by Katherine Whatley | 24th Mar 2018 | Acting, Essay, Japan, Theatre and Gender
Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...
Read MorePosted by Krisztina Rosner | 11th Mar 2018 | Acting, Essay, Japan, Theatre and Science, Transmedia
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
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