Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs
INTRODUCTION This article is comparative in approach and introduces the work of two classic...
Read MorePosted by Tomasz Wiśniewski | 9th Feb 2022 | Essay, Playwriting, Poland
INTRODUCTION This article is comparative in approach and introduces the work of two classic...
Read MorePosted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Claire French | 7th Feb 2022 | Australia, Devised Theatre, Review
At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
Read MorePosted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
Read MorePosted by Ruth Dhanaraj | 4th Feb 2022 | Applied Theatre, India, Interview
Biryani Durbar, recently staged in Bengaluru, shows how roles reverse when opportunity presents...
Read MorePosted by Ati Metwaly | 3rd Feb 2022 | Design, Egypt, News
Award-winning Egyptian designer Naiema Agamy, who worked over decades with the best-known...
Read MorePosted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
Read MorePosted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
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