“Cock” at The Ambassadors Theatre
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
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Month: March 2022
Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
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World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
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Peter Sellars Delivers International World Theatre Day Message 2022
Peter Sellars Delivers International World Theatre Day Message 2022 Mildred Ruiz Sapp and Steven...
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To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
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Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
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Under the Water – The Journey between Taipei and Copenhagen
“We began with looking for the differences between us, but at some point we came to realize that...
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“Dream Hou$e”—The Costs of Home
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
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“Red Pitch”, Bush Theatre
Football stories are never just about a game — they are also about life and how to live it. In...
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“The Hunchback of Notre Dame” Brings 15th-Century Paris to Istanbul
Adapted from Hugo’s popular novel, the musical presents sections from the post-revolutionary dark...
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Performing Arts Conference Sets the Pace for Future Theatrical Discourse
‘Whatever you teach action, it out. If you teach music, sing. If you teach language, write a novel. If you teach drama, act.’
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“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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ProEnglish Theatre in Kyiv: It’s Important that Art Doesn’t Stop during War
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
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“The Forest,” Hampstead Theatre
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
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“Shirley Valentine” Review: TOTB
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
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The Plight of DREAMers Moves To A National Stage; Maybe This Will Truly Help
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
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“Fever,” Mladinsko Theatre
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
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The Pandemic Nearly Killed Theatre — The Creative Way It Fought Back Could Leave It Stronger
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
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Musical Theatre Actors of Ukraine in War
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
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“Clouds Like Waves” Review
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
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