March 2022 - Page 2 of 2 - The Theatre Times

Editorial for International Online Theatre Festival (IOTF)

Posted by Xunnan Li | 11th Mar 2022 | Essay, IOTF

Having been trained as a theater actor and director, I have been engaged with many kinds of...

Medical Science and the Irony of Sex Education

Posted by Sindhu Nagaraj | 10th Mar 2022 | India, Review, Theatre and Gender, Theatre and Science

The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...

“One Arm” Review: Artscape

Posted by Beverley Brommert | 9th Mar 2022 | Adaptation, Review, South Africa

ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...

Still a Bitter Pill: An Involving Play of Love and Loss

Posted by Donald Brown | 8th Mar 2022 | LGBTQ+ Theatre, Review, United States of America

At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...

Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality

Posted by Tanya Vasylkevych | 7th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine

This conversation with Mariana Bodnar –‌ Ukrainian singer (soprano), musical theater...

Nicoleta Esinencu: On Making Enemies and Creating Communities

Posted by Tom Mustroph | 6th Mar 2022 | Interview, Moldova, Theatre and Politics

Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...

“The Double Life”

Posted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations

Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...

Free Performance: A Response to metaLAB’s futureStage Manifesto

Posted by Ilinca Todoruţ | 4th Mar 2022 | Essay, Germany, Theatre and Science, Transmedia, United States of America

On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...

“The Chairs” at The Almeida Theatre

Posted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom

Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...

“Uncanny Valley” at The Battersea Arts Centre

Posted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom

When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...

Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”

Posted by Cristina Modreanu | 1st Mar 2022 | Interview, Theatre and Politics, United States of America

Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...

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Month: March 2022

Editorial for International Online Theatre Festival (IOTF)

Medical Science and the Irony of Sex Education

“One Arm” Review: Artscape

Still a Bitter Pill: An Involving Play of Love and Loss

Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality

Nicoleta Esinencu: On Making Enemies and Creating Communities

“The Double Life”

Free Performance: A Response to metaLAB’s futureStage Manifesto

“The Chairs” at The Almeida Theatre

“Uncanny Valley” at The Battersea Arts Centre

Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”

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