“Krotoa Eva Van De Kaap”: Artscape
Krotoa Eva van de Kaap is a moving music theatre production that was first performed in The...
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Month: December 2021
“Bedside Manner” Review: Milnerton Players
Opposite to “all good things come to an end” is “so do all bad things.” And while it’s...
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Five Plays about Enslavement by Black British Women Playwrights
“There’s a sidestep that Europe does where it takes itself out of the triangle… I’m never quite...
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Theatre Audience Etiquette and Norms Have Always Shifted with the Times
Face masks, plexiglass dividers, proof of vaccine and photo ID and strict seating assignments:...
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New Opera “Yuzuru” Cautions Against the Dangers of Capitalism
For his first foray into the realm of opera, dramatist Toshiki Okada is tackling Ikuma Dan’s...
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“Sessions,” Soho Theatre
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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“The Doctor” Diagnoses Society’s Afflictions
After its premiere at north London’s Almeida Theatre in 2019, Robert Icke’s The Doctor earned...
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Outside Theatre: Why It Mustn’t Stop After the Pandemic
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows...
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“Rare Earth Mettle,” Royal Court
Why are we indifferent to anti-Semitism? In the past few weeks the Royal Court, a proud citadel of...
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Nonverbal “King Lear” Review – Conflict in Visuals, Sounds, and Imaginations
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
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Women in Science in Theater – Transforma Theatre Paves a New Crossroads with Stunning Insight
For anyone wondering if live theater offers nothing but escapism from our mini-plague—or worse—on...
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