Rena Matsui Tackles Shakespeare in an All-Female “Julius Caesar”
Rena Matsui always knew she wanted to enter the acting world, and launching her career by...
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Month: November 2021
“Cruel Games”—A Soviet Play in Post-Soviet Realities
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
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Ecologies of Media, Ecologies of Mind: Toward a Dialectics of Embodiment
Despite being heavily indebted to electronic mediation, the dramatic situation created in...
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Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
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“By Heart”: Can One Poem Save the World?
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
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RE: Encuentro: Interview with “Paletas de Coco” Playwright Franky D. Gonzalez
In 2014, the Latino Theater Company (LTC) re-ignited the Latinx theatre festival tradition, a...
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How I Met TheTheatreTimes.com
Theatre saved my life. By the time TheTheatreTimes.com appeared, I had already crossed one...
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“Arbeit”: Theatre as Work, Work as Theatre
The dance performance Arbeit by Šimun Stankov, Una Štalcar-Furač and Espi Tomičić takes...
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International Online Theatre Festival is The Second-Place Winner of the Culture Online International Award for “Best Online Project”
TheTheatreTimes.com’s International Online Theatre Festival is the second-place winner of the...
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“The Blue Piano/The Blue Guitar”: Review
THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...
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Whole New World: Indian-American Actors Proud in “Aladdin” Play
Diversity in film is important, but in animation, it carries an even heavier, different message....
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“Balkan Bordello” at Teatri Oda
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
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A Manifesto for the Future Stage: Performance Is a Human Right
The futureStage Manifesto was written by the futreStage Research Group at Harvard metaLAB.* It...
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Re-Imagined Play Stirs Memories of “White Mischief” in Colonial Africa
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
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A New Staging of Enesco’s “OEdipe” at Paris Opera by Wajdi Mouawad
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
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Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre
People say that trains often make interesting settings for drama since you have people from...
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The Normal Heart, National Theatre
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the...
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Tony Awards Return: “Moulin Rouge!”, “The Inheritance” Win Big
Recognizing excellence in live Broadway theater, the Tony Awards bestowed the jukebox adaptation...
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How China’s Musicals Lost Their Groove
Chinese musical theater has largely abandoned high-concept shows in favor of shallow engagement...
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“Where I Call Home”: Translating “Gens du pays”
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
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