Cambodia is an Inspiration for the Healing Power of Art After a Crisis
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
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Month: November 2020
Experimental Forms and Performative Research: How to Develop Games in (a) Theatre?
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
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Avignon 2020 Announces its Program: The History of Theaters Rethought Within the Framework of New Partnerships
IRET days in Avignon Biannual event since 2015 bringing together IRET researchers, doctoral...
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Privileges of the Imagination
When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked...
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On Screen And On Stage, Disability Continues To Be Depicted In Outdated, Cliched Ways
The #MeToo and Black Lives Matter movements have forced Hollywood and other artists and filmmakers...
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“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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New European Drama Repertory for Young People: Surface Chat or Silent Depth
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
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Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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Adapting Tarots in Performance: LipZinc’s “Talking Tarots”
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
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Ghana’s Politics Has Strong Ties with Performing Arts: This is How it Started
Towards the end of the Kwame Nkrumah era in 1966, a number of highlife artists wrote songs...
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Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
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New European Drama Repertory for Young People: “Before Tomorrow”
As the generation known by the final letters of the alphabet continues to grow up and become...
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New European Drama Repertory for Young People: Age of Rage
As a documentary theatre maker, I am typically interested in individuals and characters whom I...
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“Parts of Life Will Be Damaged Forever” — Arts Workers Describe the Pandemic’s Impact on Their Mental Health
The arts industry is among the most devastated by the pandemic. Artists and arts workers often...
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Foreword to “Youth Theatre- A Casebook”
It’s now June 2020. In most European countries, the first wave of Covid-19 has started to slow...
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Interview with Charlotte Boimare & Magali Solignat
Conversation with the two authors Charlotte Boimare and Magali Solignat, co-writers of the...
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Of Wizards and Trolls: “Russian Troll Farm: A Workplace Comedy”
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
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“Wonnangatta” Review: Australian Theatre-Writing at its Provocative and Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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Unlock 5 | Theatres Reopen to Poor Response
Owners hopeful of bouncing back to business during the coming festival season After staying shut...
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For Youth, Theatre is Action
Over the past two years, I have had the privilege of inviting a group of teenagers in Canada, ages...
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