Season of Doom in Belarus
The season 2019/2020 is over. While there were several remarkable events, some aspects —...
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Month: August 2020
What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
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‘Hamilton’ Ignores the Statesman’s Strategy to Fund Genocidal Warfare Against Indigenous Peoples
The recent release of the musical Hamilton by the Disney+ channel on July 3 received favorable...
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Star Cycles: Composer/Performer Karl Saint Lucy and Their Production, “Different Stars: A Reckoning with Time, Trauma, and Circumstance”
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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Hope Azeda And Her Art That Heals
“Theatre in Rwanda? Are you crazy? There’s no theatre in Rwanda,” said Hope Azeda’s...
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How “Hamilton” Got Chinese Thinking About Who Tells Their History
Viewers in the People’s Republic have embraced Lin-Manuel Miranda’s unconventional approach to...
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Japan’s Geisha Struggle to Preserve Tradition Under Shadow of Coronavirus
The ancient Japanese art of geisha is now facing a crossroads that requires the centuries-old...
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Ebrahim Alkazi (1925-2020): A Lodestar In India’s Arts Firmament
Alkazi was not just the father of modern Indian theatre, but a pioneer who pushed the frontiers...
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Upper Egyptian Adaptation Of Shakespeare’s Hamlet To Return At Cairo Opera
The Al-Talei’a Theatre troupe is gearing up for two performances of their play Al-Seirah...
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Kalanilayam’s Drama “Hidimbi” Streams Live
When performance spaces closed during the lockdown, digital mediums became the stage for several...
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“My White Best Friend (And Other Letters Left Unsaid)” at The Royal Court
The strength of the response to the re-emergence of the Black Lives Matter campaign has encouraged...
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Theatre Companies Are Pushing Storytelling Boundaries With Online Audiences Amid COVID-19
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a...
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An Interview with Tim Minchin, Writer and Star of the New Australian Television Series: “Upright”
Upright, a new Australian television drama, co-written by and starring the multitalented Tim...
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To Be (Online) Or Not To Be (Online), That Is The Question For Japan’s Theaters
This past week, health officials called for more than 800 theatergoers to be tested for COVID-19...
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Listening in Detail – Alma Söderberg
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
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A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
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Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
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“Scored In Silence”: Digital Dance Piece Tells Stories Of Deaf Survivors Of The Hiroshima And Nagasaki Attacks
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
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“Koothu” Comes Home: How Group Of Shadow Puppeteers In Salem Streamed A Play Live On Facebook
There was a new energy about Mu Harikrishnan’s terrace. In the village of Yervadi near Salem that...
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Egypt’s Sharm El-Sheikh Int’l Theatre Festival For Youth Launches YouTube, SoundCloud Channels
The channels aim to archive the festival’s previous sessions and their activities. The Sharm...
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