Jonathan Pitches on Physical Theatre’s Ability to Transform Written Text
Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the...
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Month: May 2020
Invisible Diaries: Thoughts for the End of the World As We Know It
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. Slung Low is a company...
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Invisible Diaries: Being In-Between, Holding the Space
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. I am part German and...
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‘From the Italian Land to Poland’ and Back: A conversation with Giovanni Pampiglione
Rome, 9th February 2020. “Can I get some paper? Some cream-colored paper? And a pen?”...
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Italian Resilience Against COVID-19: Vocal Performances for Museums and Monuments
Because of COVID-19, Italian actors’ work had abruptly stopped but digital resources offer them...
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Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo
Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their...
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Zoom Play: “Midnight Your Time” at The Donmar Warehouse
During the lockdown, the best online theatre, more or less, are shows that are specially created...
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After Coronavirus: Global Youth Reveal That the Social Value of Art Has Never Mattered More
Health and government officials around the globe are slowly and ever-so-tentatively moving to...
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Theatrical Coronalypse in Belarus
The global pandemic of coronavirus infection has stopped theatrical activity around the world....
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The Online Stephen J Chifunyise International Theatre Festival
When Zimbabwean theatre practitioner Stephen Joel Chifunyise passed on last year, Theatre in The...
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The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
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Curve Leicester’s “What the Butler Saw”: A Review
Over the past couple of months, theatre reviewing has become film reviewing, and venues all over...
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Between.Pomiędzy Festival: Literary Criticism Now
In this discussion Derek Attridge explores the role of contemporary literary criticism as part of...
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Between.Pomiędzy: A Festival That Believes in Europe
The Opening dialogue of the Between.Pomiędzy Festival. 5 May 2020. Octavian Saiu: I’d like to say...
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Drama Collective of Serbian National Theatre as an Example of Solidarity
There are more and more calls for help, appeals for solidarity when it comes to the most...
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Interview with Author and Director Eva Doumbia
Eva Doumbia is a writer, director and actress. Her creative residence in New Orleans for the...
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Invisible Diaries – Best Of: A Note from the Curator
As a response to the damage the Covid-19 pandemic has caused in the theatre world, the Dramaturgs’...
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Is COVID-19 A Blessing In Disguise For Theatre?
On the center stage, where many an actor has strutted his stuff, sits a ghost light. Lonesome....
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Revisiting the National Theatre’s 2011 “Frankenstein”
So far, it could be said that the National Theatre is having a good lockdown. Every week, this...
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Invisible Diaries: “European Dramaturgy in the 21st Century, A Constant Movement”
This article is part of the Dramaturgs’ Network’s Invisible Diaries series, and has...
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