Coronavirus has Dimmed the Lights on Live Entertainment. What Now for Event Managers?
COVID-19’s impacts on society are unprecedented and nobody can say precisely when we will return...
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Month: April 2020
Shakespeare in the Era of Social Distancing
While it can never really supplant the vibrancy and vividness of live, in-the-flesh theatre, the...
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“Bubble” is Digital Performance for the Political Viewer
It’s only been a week since London’s West End went dark and theatres closed all over the UK, but...
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“Play In Your Bathtub” and “Life on Earth:” The Immersive and Digital Theatre in the Time of Social Distancing.
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
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Family and Community and Isolation in “The Croft”
With everyone in lockdown, observing physical if not social distancing, a story about isolation...
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Samia Jaheen: The Story of All Stories
Samia Jaheen’s performance was part of the 10th Hakawy International Arts Festival for...
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Sarah Kane Through a Russian Prism
Of all the unexpected things I think I might be able to imagine, one I could never have imagined...
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Streaming Shows
The Theatre Times OITF: The International Online Theatre Festival runs from 15 April to 15 May....
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Love, Labor, Loop: (Object’s) Life according to Geumhyung Jeong
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...
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The Importance Of Safdar Hashmi
Sudhanva Deshpande’s book, Halla Bol remembers the legendary theatremaker and activist through a...
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“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
One of the major figures in Polish experimental theatre, Włodzimierz Staniewski, is the founder of...
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“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
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“The Claim” at The Shoreditch Town Hall
Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...
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“Launcher 5,” or a Recipe to Make Young Men Monsters
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
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Italian Resilience Against COVID-19: The “Strange Interlude” at the Teatro Stabile in Turin
Having opened in May 1955, the Teatro Stabile in Turin is one of the most important artistic...
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Paranoia at the Fore in Steppenwolf’s Revival of Tracy Letts’s “Bug”
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
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Simon Stephens’ “Maria:” Aggressive Optimism is Saving the World
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
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The Mechanics of Crafting Transitions
For ensemble pieces in theatre, where actors never once leave the stage, what becomes...
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