Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
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Month: January 2020
Groundbreaking Festival of Indigenous Theatre at the National Arts Centre in Ottawa: Inaugural Season
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
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Rachel Pickup on Her Role in “London Assurance” at NYC’s Irish Repertory Theatre
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
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“Touching the Void” at The Duke of York’s Theatre
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
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Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
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An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
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“A Kind of People” at The Royal Court
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
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“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
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Top-Searched Musicals in Africa
Methodology The most-searched-for musicals in Kenya, online, are High School Musical, The Lion...
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Enter Ghost: China’s Growing Obsession With Immersive Plays
Mythic Stories of Fanling Township is the latest production to tap into Chinese theatergoers’...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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The Democracy of a Whale Ship (and then a Vaudeville)
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
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“Casablanca:” We’ll Always Have the Radio!!!
Gone are the days when, on a cold winter night, the family gathered around a fire to listen to the...
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“The Arrival” at The Bush Theatre
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
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The Year That Musicals took on Japanese Stages
As the curtain falls on 2019’s theater scene in Japan, a continuing rise in the popularity of...
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Egypt’s Play “Collar and Bracelet” Wins Best Performance at Carthage Theatre Days, Tunisia
Egyptian play Collar and Bracelet, directed by Nasser Abdel-Moneim, won the best performance at...
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The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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“Rhinoceros” by Eugène Ionesco: A Novella
Rhinoceros (1959) is one of Eugène Ionesco’s best-known plays, one of the plays with which the...
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“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
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