“The Black History Museum…According to the United States of America”
The Black History Museum….According to the United States of America, Smoke & Mirrors...
Read MorePosted by Abigail Weil | 15th Nov 2019 | Immersive Theatre, New York, Participatory Theatre, Review
The Black History Museum….According to the United States of America, Smoke & Mirrors...
Read MorePosted by Christine Deitner | 14th Nov 2019 | Los Angeles, Review, United States of America
“What can we do to break down the myths and stereotypes of Thanksgiving in forty-five minutes with...
Read MorePosted by Yulia Savikovskaya | 14th Nov 2019 | London, Review, Theatre and Opera, United Kingdom
Love seems to have preoccupied the planning team of the 2019/2020 season: it rushes on stage in so...
Read MorePosted by Maja Stefanovska | 13th Nov 2019 | Canada, Musical Theatre, Review
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
Read MorePosted by Nicole Birmann Bloom | 13th Nov 2019 | France, Interview, Theatre and Dance
Founded in 2012 by two breakdancers, Souhail Marchiche and Mehdi Meghari, Compagnie Dyptik is...
Read MorePosted by Armando Rotondi | 13th Nov 2019 | Devised Theatre, Review, Spain
“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...
Read MorePosted by Angelina Hurley | 13th Nov 2019 | Australia, Review, Transcultural Collaborations
From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
Read MorePosted by Jane Baldwin | 12th Nov 2019 | Boston, Review, United States of America
Bedlam Theatre, a New York City Company, was founded in 2012 by the actress Andrus Nichols and the...
Read MorePosted by Vikram Phukan | 12th Nov 2019 | Documentary Theatre, India, Review, Theatre and Politics
Piyush Mishra’s Gagan Damama Bajyo centers around the young freedom fighter’s ideology of...
Read MorePosted by Jane Baldwin | 11th Nov 2019 | Devised Theatre, Essay, Theatre and Dance, United States of America
Augustine’s Dream was presented in July 2019 at the Providence Fringe by AnomalousCo. An...
Read MorePosted by Sandra D'urso | 11th Nov 2019 | Australia, Festivals, Review
What does it mean to be an “ordinary” Australian in anatomizing and globalized world economy?...
Read MorePosted by Alexander Nderitu | 11th Nov 2019 | Africa, Kenya, News, Transcultural Collaborations
The Akamba people of East Africa have a saying: “The visitor has the best tobacco.”...
Read MorePosted by Jonathan Kalb | 10th Nov 2019 | New York, Review, Theatre and Art, United States of America
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
Read MorePosted by Aleks Sierz | 9th Nov 2019 | Playwriting, Review, Theatre and Religion, Theatre and Science, United Kingdom
One of the great cultural divides is that between religion and science. Of course, as novels such...
Read MorePosted by Aleks Sierz | 9th Nov 2019 | Review, Theatre and Politics, United Kingdom
Memory involves places, people, things and words–especially words. This abstract proposition...
Read MorePosted by Aleks Sierz | 9th Nov 2019 | Review, Theatre and Gender, United Kingdom
Botticelli is a household name, but who knows the true story behind his most famous painting? The...
Read MorePosted by Zhe Pan | 9th Nov 2019 | Adaptation, Review, United States of America
Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....
Read MorePosted by James Montaño | 9th Nov 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
Read MorePosted by Mert Dilek | 8th Nov 2019 | London, Review, United Kingdom
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...
Read MorePosted by Abigail Weil | 8th Nov 2019 | New York, Review, United States of America
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
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