Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
Read MorePosted by Yana Meerzon | 23rd Jul 2019 | Avignon 2019, Brazil, France, Review, Transcultural Collaborations
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
Read MorePosted by Gowri S | 23rd Jul 2019 | India, Review, Theatre and Politics
The Auroville Theatre Group’s latest production adapts a searing drama of social injustice written...
Read MorePosted by Christine Deitner | 23rd Jul 2019 | Adaptation, Los Angeles, Review, United States of America
“Oh, one wants to come to some arrangement, does one? You don’t get more shameless than that. He...
Read MorePosted by Madison Parrotta | 22nd Jul 2019 | Review, United States of America
Premiere Stages at Kean University begins its 15th season with an ending – the ashes of Maggie and...
Read MorePosted by Christine Deitner | 22nd Jul 2019 | Los Angeles, Review, United States of America
If you are in Los Angeles and find yourself in need of a good laugh, Center Theatre Group has you...
Read MorePosted by Yana Meerzon | 21st Jul 2019 | Avignon 2019, Burkina Faso, Devised Theatre, Festivals, France, Review
The focus of this review is inspired by the title and the theme of Salia Sanou’s multidisciplinary...
Read MorePosted by Andrew Filmer | 21st Jul 2019 | Design, Essay, Theatre and Science
Theatre is a dynamic art form that combines bodies, light, sound and materials into exciting live...
Read MorePosted by Nobuko Tanaka | 21st Jul 2019 | Japan, Playwriting, Review
Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...
Read MorePosted by Patrick Langston | 20th Jul 2019 | Acting, Adaptation, Canada, Review
Has A Company of Fools rediscovered its mojo? After a series of hits and misses, including last...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read MorePosted by Yana Meerzon | 20th Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Following the themes of the Avignon 2019, Alexandra Badea’s Points de non-retour [Quais de...
Read MorePosted by James Montaño | 19th Jul 2019 | Adaptation, Boston, Review, Spain, Translation, United States of America
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
Read MorePosted by Trevor Boffone | 19th Jul 2019 | Dallas, News, United States of America
Ask anyone about the best theatre cities in the United States and they will inevitably mention New...
Read MorePosted by Marjan Moosavi | 19th Jul 2019 | Adaptation, Iran, Review, Theatre and Politics
Ruhollah J’afari’s Richard III Will Not Take Place is an excavation of real historical events. A...
Read MorePosted by Yana Meerzon | 18th Jul 2019 | Avignon 2019, Festivals, France, Review
An imaginative, dynamic, and visually striking production Sus d’autres cieux continues the...
Read MorePosted by Denise Varney | 18th Jul 2019 | Adaptation, Australia, Melbourne, Review
Australian literary classics are currently enjoying a comeback at our major theatre companies....
Read MorePosted by Zabrina Lo | 17th Jul 2019 | Adaptation, Hong Kong, News
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
Read MorePosted by Christine Deitner | 17th Jul 2019 | Los Angeles, Review, United States of America
Tucked in the middle of one of Los Angeles’ many canyons, Will Geer’s Theatricum Botanicum...
Read MorePosted by Natasha Lomonossoff | 16th Jul 2019 | Canada, Playwriting, Review
Playing in the intimate black box space of the Firehall Theatre at TIP, Farren Timoteo’s one-man...
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