“Happy Days” at the Mark Taper Forum – Sorrow Keeps Breaking In
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
Read MorePosted by Christine Deitner | 25th May 2019 | Los Angeles, Review, United States of America
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
Read MorePosted by Michael Dobson | 25th May 2019 | Asia, Essay, Transcultural Collaborations
When a weary Egeon laments in the first scene of The Comedy of Errors that in quest of his lost...
Read MorePosted by Jozefina Komporaly | 25th May 2019 | Dramaturgy, Review, Romania
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
Read MorePosted by Ivanka Apostolova Baskar | 24th May 2019 | Design, Germany, Interview
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
Read MorePosted by Cristina Modreanu | 24th May 2019 | Interview, Playwriting, Romania, United States of America
A well-known poet and journalist, Saviana Stănescu left Romania for the US thanks to a Fulbright...
Read MorePosted by Mert Dilek | 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read MorePosted by Stephen Chinna | 24th May 2019 | Australia, Review, Theatre and Politics
Review: Water, Black Swan, Perth. Water, written by Jane Bodie and directed by Emily McLean, was...
Read MorePosted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read MorePosted by Reza Ashofteh | 23rd May 2019 | Interview, Iran, Theatre and Politics
Also, about this production, read “Russia Meets Iran: J’afari, Vișniec, and Meyerhold,...
Read MorePosted by Romy König | 22nd May 2019 | Germany, Interview, Playwriting
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
Read MorePosted by John Smythe | 22nd May 2019 | Ireland, New Zealand, Review
Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...
Read MorePosted by A Sangameswaran | 22nd May 2019 | Acting, Essay, India, Theatre and Religion
Thespian Ammannur Kuttan Chakyar gave a scholastic presentation of Melpathur Narayana...
Read MorePosted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review
Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...
Read MorePosted by Ryan Pepper | 21st May 2019 | Canada, Review
The NAC’s Between Breaths from St. John’s Artistic Fraud of Newfoundland theatre captures the life...
Read MorePosted by Billy Potts | 21st May 2019 | Australia, China, Chinese Theatre Abroad, Essay, Transcultural Collaborations
Back home in Australia, the world’s largest imperial dragon joins his predecessors – and so...
Read MorePosted by Gowri S | 21st May 2019 | India, Interview, Transcultural Collaborations
International movement artist Jayachandran Palazhy feels that despite their so-called abstract...
Read MorePosted by Alvina Ruprecht | 21st May 2019 | Canada, Review
A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...
Read MorePosted by Marcina Zaccaria | 20th May 2019 | Festivals, Italy, New York, News
The In Scena Festival is an ambitious undertaking. Presenting work each year by Italian artists,...
Read MorePosted by Wendy Arons | 20th May 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Quantum’s marketing slogan for this season is “theater that moves you,” and its production of...
Read MorePosted by Vikram Phukan | 20th May 2019 | Acting, India, Review, Translation
Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...
Read More