Simon Stephens’ “Nuclear War” at The Royal Court Theatre
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
Read MorePosted by Aleks Sierz | 7th May 2017 | London, Review, United Kingdom
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
Read MorePosted by Aleks Sierz | 6th May 2017 | Review, Romania, Theatre and Politics, United Kingdom
In the growing xenophobic atmosphere of Brexit it is a relief to see a show from Europe, to get a...
Read MorePosted by Nobuko Tanaka | 6th May 2017 | Japan
The old never give the young an easy time. “They think they know everything,” “They’re lazy” — the...
Read MorePosted by Jonathan Kalb | 5th May 2017 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...
Read MorePosted by Richard Vetere | 5th May 2017 | LGBTQ+ Theatre, New York, United States of America
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
Read MorePosted by Katrina Holden-Buckley | 4th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
Boston Lyric Opera’s The Marriage of Figaro opened on Friday to an audience that the John Hancock...
Read MorePosted by Frederik Le Roy | 4th May 2017 | Documentary Theatre, Switzerland, Theatre and Politics
Realistic rituals Milo Rau and the International Institute of Political Murder. The Swiss...
Read MorePosted by Jessica Rizzo | 3rd May 2017 | New York, Review, United States of America
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
Read MorePosted by EfeJota Suárez | 3rd May 2017 | Spain, Theatre and Gender, Theatre and Politics
La Sección recovers the figure of three women to draw a robot sketch of the submission, obedience...
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Raphael Cassou | 2nd May 2017 | Brazil
“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...
Read MorePosted by Fjolla Hoxha | 1st May 2017 | Kosovo, Theatre and Politics
“The object of terrorism is terrorism. The object of oppression is oppression. The object of...
Read MorePosted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
Read MorePosted by Julia Rybina and Anastasiya Karagodina for Russia Beyond Headlines | 1st May 2017 | Essay, Puppetry, Russia
It is natural for humans to animate and anthropomorphize anything they touch. Puppetry is a...
Read MorePosted by Ajay Hothi | 1st May 2017 | Germany, Transmedia
MMK3 is the smallest of Frankfurt’s Museum für Moderne Kunst’s three buildings, and...
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