The Comeuppance, Almeida Theatre
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Aleks Sierz | 18th Apr 2024 | Acting, Review, United Kingdom
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Aleks Sierz | 3rd May 2023 | Adaptation, London, Review, United Kingdom
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Jelena Gvozden | 2nd Aug 2020 | Croatia, Interview, Playwriting
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
Read MorePosted by Jelena Gvozden | 31st Jul 2020 | Croatia, Interview, Playwriting
Espi Tomičić is a new playwright on the Croatian theatre scene but already garnered attention for...
Read MorePosted by Monika Kwaśniewska | 20th May 2020 | Essay, Poland, Theatre and Gender
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Aleks Sierz | 12th Mar 2019 | London, Review, Theatre and Religion, United Kingdom
The events of 9/11 were a global wake-up call — and that includes theatre. In the wake of the War...
Read MorePosted by Zolima Citymag | 23rd Feb 2019 | China, Festivals, Hong Kong, News, Playwriting
Hong Kong’s reputation as a safe city is well-deserved. It ranks frequently among the top 10...
Read MorePosted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
Read MorePosted by Aleks Sierz | 21st Jan 2019 | London, Review, United Kingdom
Mainstream theatre is often a huge treasure chest, blazing with jewels and flashing lights, while...
Read MorePosted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
Read MorePosted by Baharak Sahami | 10th Aug 2018 | Iran, Review
The first thing drawing my attention before I watched the play was its title. Mischief reminded me...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Aleks Sierz | 7th Jun 2018 | London, Review, Theatre and Opera, United Kingdom
Playwright Martin Crimp began his career by writing surreal short plays that hinted at his love of...
Read MorePosted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom
Many years ago, your time at school might even have been some of the happiest days of your...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Aida Rocci | 9th Jun 2017 | London, Review, United Kingdom
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

