“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read MorePosted by Emilija Kvočka | 30th Sep 2025 | Montenegro, Review, Theatre and Dance
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read MorePosted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
Read MorePosted by Clement Lee | 6th Jan 2020 | Adaptation, Dramaturgy, Essay, Hong Kong, Theatre and Opera
This excerpt of the article is originally written in Chinese by the author. Full article will be...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
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