“Three Sisters,” National Theatre
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
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Tag: review
We’ve Been Editing Shakespeare’s Plays for 400 Years— But Does a New Australian Production of “The Tempest” Idealize the Bard?
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
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“The Poltergeist,” Arcola Theatre
Last night, at the Arcola, I witnessed the return of The Poltergeist, Philip Ridley’s blazing...
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“Ravenscourt,” Hampstead Theatre
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
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An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
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“The Haunting of Susan A” at The King’s Head Theatre
Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
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Fresh “Ham” at the Public
Fat Ham arrives at the Public Theater for its first live production following the Zoom staging by...
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From the Moscow Stage to Monroe and De Niro: How the Method Defined 20th-Century Acting
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
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Daniela Bershan and Others — “OCEAN”
OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
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“For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy” at Royal Court
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
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Mike Bartlett’s “Scandaltown” at Lyric Hammersmith
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
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An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
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A New Musical, “Panawathi Girl,” is a Fantasy of Australia’s Past — and a Critique of Australia’s Present
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
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Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre
People say that trains often make interesting settings for drama since you have people from...
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“These Are Not My Shoes” is Powerful Social Commentary
These Are Not My Shoes is a story about absent fathers and what happens to young men when they...
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Subira, A New Musical: Under-promised, Over-delivered!
‘Time waits for no military man!’. Thus, on a punctual note, Subira, A New Musical opened on...
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A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories
Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...
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“Bopha!” Arrests Audiences More Than Two Decades Later!
Percy Mtwa, the legendary playwright and director of multiple award-winning theatre productions,...
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“Mnquma & Ithemba”: African Contemporary Dance-Based Storytelling
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
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