“The Drawer Boy” and Another Way of Telling History
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
Read MorePosted by Barbara Gabriel | 2nd Sep 2022 | Canada, Directing, Festivals, Review
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
Read MorePosted by Carla Rice and Kayla Besse | 19th Jan 2020 | Canada, News, Theatre and Disability
Have you ever been nervous about going to the theatre? Maybe you’re unfamiliar with theatre...
Read MorePosted by Abhimanyu Acharya | 28th Nov 2019 | Canada, India, Review
SAWITRI Theatre, based out of Mississauga, Ontario, recently paid a tribute to the acclaimed...
Read MorePosted by Natasha Lomonossoff | 16th Oct 2019 | Canada, Review, Theatre and Gender
Following the production of The Boy in the Moon, put on by the 1000 Islands Playhouse in August,...
Read MorePosted by Natasha Lomonossoff | 10th Oct 2019 | Canada, Review, Theatre and Politics
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
Read MorePosted by Abhimanyu Acharya | 26th Feb 2019 | Canada, Review, Theatre and Art
The play is a good mix of entertainment and profundity and asks questions that can certainly be food for thought for the audience.
Read MorePosted by Abhimanyu Acharya | 1st Feb 2019 | Canada, News, Theatre and Religion
The University of Western Ontario’s Arts and Humanities Student Council (AHSC) recently staged its latest production The Interrogation of Baruch de Spinoza written by David Ives. The play was performed at TAP Centre for Creativity at London, Ontario, Canada, and was directed by Julia Sebastian.
Read MorePosted by Ryan Pepper | 8th Nov 2018 | Canada, Review
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
Read MorePosted by Robyn Grant-Moran | 7th Nov 2018 | Canada, Interview, Theatre and Opera
Note: Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon and director...
Read MorePosted by Robyn Grant-Moran | 31st Oct 2018 | Canada, Review
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Natasha Lomonossoff | 15th Oct 2018 | Canada, Review, Theatre and Gender
At the 1000 Islands Playhouse in Gananoque, ON. As the final play of the season, British...
Read MorePosted by Jamie Portman | 26th Sep 2018 | Canada, Festivals, Review
STRATFORD, Ont. — That could well be a white lab coat that Lucy Peacock is wearing when she first...
Read MorePosted by Jamie Portman | 13th Sep 2018 | Canada, Festivals, Italy
The Stratford Festival’s 2018 playbill is now complete—and the final entry is an absolute winner....
Read MorePosted by Jamie Portman | 25th Aug 2018 | Adaptation, Canada, Festivals
By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...
Read MorePosted by Natasha Lomonossoff | 22nd Jul 2018 | Acting, Canada, Review
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
Read MorePosted by Jamie Portman | 8th Jul 2018 | Canada, Festivals, Review
The scene does offer some amusement. A benevolent Baroness has embarked on a key initiative in her...
Read MorePosted by Jamie Portman | 5th Jul 2018 | Canada, Festivals, Review, Russian Theatre Abroad
Sarena Parmar’s new play, The Orchard, deserves to be met on its own quietly compelling terms....
Read MorePosted by Christopher Taylor | 30th Jun 2018 | Canada, Devised Theatre, LGBTQ+ Theatre, Review
I attended a live performance of Acha Bacha, written by Bilal Baig and directed by Brendan Healy,...
Read MorePosted by Jamie Portman | 27th Jun 2018 | Canada, Festivals, Review
It’s characteristic of the Shaw Festival’s new artistic regime that this summer’s lunchtime...
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