“Bluets,” Royal Court
When does creativity become mannered? When it’s based on repetition, and repetition without...
Read MorePosted by Aleks Sierz | 28th May 2024 | London, Review, Theatre and Art, United Kingdom
When does creativity become mannered? When it’s based on repetition, and repetition without...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Liu Qing | 5th Oct 2023 | China, Review, Theatre and Disability
Zhao Hongcheng has made hundreds of videos about the challenges of life as a disabled person. Now...
Read MorePosted by Aleks Sierz | 8th Jun 2023 | London, News, Review, United Kingdom
The summer season at the Royal Court, London’s premiere new writing venue, features two plays...
Read MorePosted by Aleks Sierz | 3rd May 2023 | Adaptation, London, Review, United Kingdom
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
Read MorePosted by Aleks Sierz | 16th Feb 2023 | LGBTQ+ Theatre, London, Playwriting, Review, United Kingdom
The female monologue is a well-established contemporary theatre form, but often the content is...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 23rd Jun 2021 | Review, United Kingdom
After months (and months) of watching theatre on screens large, medium, small and tiny, I...
Read MorePosted by Aleks Sierz | 10th Mar 2021 | Review, United Kingdom
As the events of last year made clear, the police have a problem with race on both sides of the...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Aleks Sierz | 28th Jun 2020 | Review, Theatre and Film, United Kingdom
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
Read MorePosted by Aleks Sierz | 3rd May 2020 | Review, Theatre and Film, United Kingdom
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are...
Read MorePosted by Antigoni Gaitana | 21st Feb 2020 | Acting, Greece, Review
She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
Read MorePosted by Alvina Ruprecht | 19th Feb 2020 | Acting, Canada, Review
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Maria Delgado | 25th Apr 2019 | Review, Spain
Miguel Delibes wrote his novella Señora de rojo sobre fondo gris (English title Woman In Red...
Read MorePosted by Aleks Sierz | 3rd Apr 2019 | London, Review, United Kingdom
Pain. A world of pain. Pain. For anyone suffering from a rare condition called Complex Regional...
Read MorePosted by Aleks Sierz | 14th Mar 2019 | London, Review, United Kingdom
Fifteen-year-old Rory, a schoolgirl on the adventure of a lifetime, is puzzled. “Why,” she asks,...
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