Harold Pinter Archives - The Theatre Times

“Stumped.” Live Theatre In The Age Of Hybrid Realities.

Posted by Annette Balam | 10th Sep 2023 | Review, Transmedia, United Kingdom

Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...

Brief Notes Towards A Definition Of Leftfield Theatre

Posted by Aleks Sierz | 7th Jun 2020 | Applied Theatre, Essay, United Kingdom

In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...

“Distancias Cortas” (Short Distances): Four Spaces, Four Moments

Posted by Lorena Meeser | 23rd Sep 2019 | Adaptation, Immersive Theatre, Mexico, Review

A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...

“Betrayal”: Popular Pinter

Posted by Jonathan Kalb | 10th Sep 2019 | New York, Review, United Kingdom, United States of America

Betrayal is unique in the Pinter canon. Now beginning its fourth run on Broadway, it’s proving to...

Five Stand Out Performances From Ottawa Fringe 2019

Posted by Patrick Langston | 3rd Jul 2019 | Canada, Festivals, Ottawa Fringe 2019, Review

These performances were reviewed on June 16. The Ottawa Fringe Festival continues until June 23 at...

Harold Pinter’s “Betrayal” At The Harold Pinter Theatre: Brilliant Minimalism

Posted by Aleks Sierz | 16th Mar 2019 | London, Review, United Kingdom

Tom Hiddleston. What can I say? His career has sprinkled handfuls of stardust from the beginning:...

Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre

Posted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom

The most hyped play of the year is here. Because of the huge demand for seats, and the relative...

Who Is The Greatest Living British Playwright?

Posted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom

There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...

“The Birthday Party”- A Classic That Never Grows Old

Posted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom

Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...

“The Birthday Party” – Revival at Harold Pinter Theatre

Posted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom

Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

Posted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics

A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...

Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter

Posted by Nobuko Tanaka | 29th Nov 2017 | Acting, Directing, Japan, Review

As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...

Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up

Posted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London

A titan of the stage, whose influence over the development of post-War British theatre was...

Cultural Differences Over Suicide Made For An Interesting Creative Process In “Eternal Chikamatsu”

Posted by Nobuko Tanaka | 27th Feb 2016 | Adaptation, Japan, Review

In 2014, rising playwright and director Kenichi Tani translated Harold Pinter’s Old Times for an...

“Betrayal” By Harold Pinter, And Our Betrayal Of Ourselves

Posted by Julian Meyrick | 26th Aug 2015 | Australia, Review, Theatre and Politics

Some plays are ruled by a single word. It burns through their action, dark as pitch. Watching them...

Tag: Harold Pinter

“Stumped.” Live Theatre In The Age Of Hybrid Realities.

“Distancias Cortas” (Short Distances): Four Spaces, Four Moments

“Betrayal”: Popular Pinter

Five Stand Out Performances From Ottawa Fringe 2019

Harold Pinter’s “Betrayal” At The Harold Pinter Theatre: Brilliant Minimalism

Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre

“The Birthday Party”- A Classic That Never Grows Old

“The Birthday Party” – Revival at Harold Pinter Theatre

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter

Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up

Cultural Differences Over Suicide Made For An Interesting Creative Process In “Eternal Chikamatsu”

“Betrayal” By Harold Pinter, And Our Betrayal Of Ourselves

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