“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MorePosted by Seda Ilter | 23rd Nov 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Colin Hambrook | 1st Mar 2020 | Interview, London, Theatre and Disability, United Kingdom
Touretteshero teams up with Battersea Arts Centre to make South London’s premier theatre space the...
Read MorePosted by Aleks Sierz | 10th Jan 2020 | Adaptation, Review, Theatre and Politics, United Kingdom
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
After graduating from City College of New York in the 1960s, Assata Shakur joined the Black...
Read MorePosted by Nan Van Houte | 3rd May 2019 | Essay, Europe, Management, Participatory Theatre
You can also read this article in French here. This series of articles, commissioned together...
Read MorePosted by Lyn Gardner | 21st Apr 2019 | Essay, London, Participatory Theatre, United Kingdom
You can read this article in French here. This series of articles, commissioned together...
Read MorePosted by Aleks Sierz | 3rd Apr 2019 | London, Review, United Kingdom
Pain. A world of pain. Pain. For anyone suffering from a rare condition called Complex Regional...
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Aleks Sierz | 10th Mar 2019 | London, Review, United Kingdom
Whenever I hear the word “cosmopolitan” I think of Europe in the 1920s: German Expressionism,...
Read MorePosted by Aida Rocci | 27th Feb 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
Read MorePosted by Aleks Sierz | 15th Jan 2019 | London, Review, United Kingdom
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
Read MorePosted by Duška Radosavljević | 11th Nov 2018 | Adaptation, Ireland, Review
Also known as Platonov or the Play Without A Title, Chekhov’s first playtext, written when he was...
Read MorePosted by Duška Radosavljević | 28th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Duška Radosavljević | 27th Oct 2018 | London, Review, United Kingdom
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
Read MorePosted by Amber Massie-Blomfield | 3rd Jun 2018 | Essay, United Kingdom
I have seen performances in a theatre-on-wheels, an old Welsh steelworks, and a Victorian...
Read MorePosted by Colin Hambrook | 16th Mar 2018 | Interview, Theatre and Disability, United Kingdom
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
Read MorePosted by Colin Hambrook | 8th Mar 2018 | Review, Theatre and Disability, United Kingdom
Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...
Read MorePosted by Tom Bawden | 16th Feb 2017 | Transmedia, United Kingdom
The way media is produced and consumed has been transformed in the past decade or so thanks to...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

