Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Aleks Sierz | 23rd Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
Read MorePosted by Aleks Sierz | 14th Apr 2020 | Theatre and Art, Transmedia, United Kingdom
Armchair theatre-lovers rejoice. During the lockdown, the National Theatre is streaming a...
Read MorePosted by Tamás Jászay | 26th Mar 2020 | Design, Hungary, Interview
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
Read MorePosted by Sania Lekshmi and Nidhi Panicker | 23rd Sep 2019 | Directing, India, Interview
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
Read MorePosted by Takudzwa Chihambakwe | 20th Sep 2019 | Acting, Interview, Zimbabwe
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
Read MorePosted by Mert Dilek | 26th Jun 2019 | Adaptation, Documentary Theatre, London, Review, United Kingdom
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
Read MorePosted by Jane Baldwin | 30th May 2019 | Boston, Playwriting, Review, United States of America
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
Read MorePosted by Nicole Birmann Bloom | 20th Mar 2019 | France, Interview, Theatre for Young Audiences
Recently, in February, Johanny Bert, Director/actor/puppeteer developed the play She No Princess,...
Read MorePosted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
Read MorePosted by Huw Griffiths | 2nd May 2016 | Australia, Review, Theatre and Politics
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
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