“Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by Tawanda Mupatsi | 23rd Apr 2024 | Review, Theatre and Politics, Zimbabwe
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by Tonderai Chiyindiko | 17th Jan 2022 | Review, South Africa, Theatre and Politics
In 2017, Coligny, a small dorpie in Bokone Bophirima (North West Province), was thrown into the...
Read MorePosted by Sanya Osha | 12th Aug 2021 | Essay, Nigeria, Playwriting, Theatre and Politics
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
Read MorePosted by The African Theatre Magazine | 15th May 2021 | Gambia, Kenya, Malawi, News, Nigeria, South Africa, Theatre and Gender, Tunisia, Uganda, Zimbabwe
In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...
Read MorePosted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read MorePosted by Tonderai Chiyindiko | 29th Mar 2021 | Review, South Africa
Xova, the predominantly isiXhosa-language production which has just finished a sold-out run at the...
Read MorePosted by Ian Kiyingi Muddu | 17th Aug 2020 | Interview, Transcultural Collaborations, Uganda, United Kingdom
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
Read MorePosted by Ian Kiyingi Muddu | 29th Jun 2020 | News, Theatre for Young Audiences, Uganda
STEM, that Science, Technology, Engineering, and Mathematics curricula obsession at the expense of...
Read MorePosted by Ian Kiyingi Muddu | 21st May 2020 | Africa, Covid-19, Essay, Theatre and Politics
On the center stage, where many an actor has strutted his stuff, sits a ghost light. Lonesome....
Read MorePosted by Tonderai Chiyindiko | 20th Mar 2020 | Acting, Review, South Africa
Darkie which features Katlego Letsholonyane (who has just recently started appearing on the local...
Read MorePosted by Tonderai Chiyindiko | 11th Dec 2019 | Adaptation, Review, South Africa
Rhinoceros, the official production commemorating the Market Theatre Lab’s 30th-anniversary...
Read MorePosted by Takudzwa Chihambakwe | 8th Oct 2019 | Management, News, Zimbabwe
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
Read MorePosted by Zerihun Birehanu Sira | 6th Jul 2019 | Essay, Ethiopia
European Influences in Ethiopian Theater Prior to the introduction of European form of theatre in...
Read MorePosted by T. Saravanan | 9th Apr 2017 | Nigeria
A group of African students took the audience on a journey to Nigeria. It’s celebration time...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026