Worldwide
Everything In Programming Matters To Cultivate The Spectator`S Free Will
by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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Venice Theatre Biennale 2026 – A Japanese “Othello”
by Margaret Rose | 26th Jun 2026 | Italy, Japan, Review, Venice Theatre Biennale 2026
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Richard III at MITEM: When the Monster Is Not Alone
by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
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“Sinfonia”: Stories from Harrogate
by Xunnan Li | 10th Jul 2026 | Review, United Kingdom
Sinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
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A Magical “Tempest” In Stratford-Upon-Avon
by Margaret Rose | 26th Jun 2026 | Review, Theatre and Politics, United Kingdom
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Venice Theatre Biennale 2026 – “Memorandum”
by Margaret Rose | 26th Jun 2026 | Festivals, Italy, Review, Theatre and Age, Venice Theatre Biennale 2026
Performing Between Six Languages: An Interview With Anissa Naji
by Fadi Fayad Skeiker | 26th Jun 2026 | Interview, Musical Theatre, Theatre and Politics, United States of America
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
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Shell…Shocked?
by Matthew Foster | 23rd Jun 2026 | Review, Theatre and Gender, United States of America
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In Pleasant Company: “Girl Dolls”
by Abigail Weil | 30th May 2026 | Musical Theatre, Review, United States of America
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“Don’t Look Now”: Directing Theatre About the Climate Crisis
by David O'Donnell | 11th Jul 2026 | Directing, New Zealand, Theatre and Politics
I’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
Theatre – Creating Conditions For What Has Been Silenced To Emerge
by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
by Maria Delgado | 29th Mar 2026 | Argentina, Review
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