Worldwide
Everything In Programming Matters To Cultivate The Spectator`S Free Will
by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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Venice Theatre Biennale 2026 – A Japanese “Othello”
by Margaret Rose | 26th Jun 2026 | Italy, Japan, Review, Venice Theatre Biennale 2026
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Richard III at MITEM: When the Monster Is Not Alone
by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
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A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen
by Daniel Meyer-Dinkgräfe | 6th Jul 2026 | Acting, Directing, Germany, Review
For the last full production of his first season as artistic director of Packhaustheater in...
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A Magical “Tempest” In Stratford-Upon-Avon
by Margaret Rose | 26th Jun 2026 | Review, Theatre and Politics, United Kingdom
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Venice Theatre Biennale 2026 – “Memorandum”
by Margaret Rose | 26th Jun 2026 | Festivals, Italy, Review, Theatre and Age, Venice Theatre Biennale 2026
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Performing Between Six Languages: An Interview With Anissa Naji
by Fadi Fayad Skeiker | 26th Jun 2026 | Interview, Musical Theatre, Theatre and Politics, United States of America
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
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Shell…Shocked?
by Matthew Foster | 23rd Jun 2026 | Review, Theatre and Gender, United States of America
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In Pleasant Company: “Girl Dolls”
by Abigail Weil | 30th May 2026 | Musical Theatre, Review, United States of America
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Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
by Hilary Halba and Rua McCallum | 22nd Apr 2026 | Education, New Zealand, Oceania, Theatre and Decolonization
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
Theatre – Creating Conditions For What Has Been Silenced To Emerge
by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
by Maria Delgado | 29th Mar 2026 | Argentina, Review
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