Worldwide
Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025
by Ilinca Todoruţ | 26th Dec 2025 | Congo, Festivals, Japan, Review, Theatre and Dance
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025
by Xunnan Li and Yuan Du | 2nd Dec 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
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We Passed Through The Wall Of Sorrow Together
by Mehdi Shahedi | 26th Aug 2025 | Essay, Iran, Theatre and Politics
“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life
by Maria Delgado | 28th Dec 2025 | Review, Spain
The power of education as a tool for emancipation and democratic thinking has been the subject of...
Inside Chicago Court Theatre’s “Berlin”–Turning a Graphic Novel into Live Theatre: An Exclusive Interview with Playwright Mickle Maher
by Susanna Sun | 24th Dec 2025 | Adaptation, Interview, United States of America
Praised by the Houston Chronicle as “one of the most original voices in American theater today,”...
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Tom Block Sparks Arts Activists
by Marcina Zaccaria | 11th Dec 2025 | Festivals, LGBTQ+ Theatre, New York
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#Me Too Oedipus
by Jonathan Kalb | 20th Nov 2025 | Adaptation, Review, United States of America
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | 20th Aug 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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