Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
Read More
United States of America
Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
Read More
A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
Read More
Love Revolution: The Assembly’s “Home/Sick”
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
Read More
Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
Read More
Review: Wallance Shawn’s “Evening at the Talk House”
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
Read More
Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
Read More
Women on the Verge: Caryl Churchill’s “Escaped Alone”
In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...
Read More
La La Land: Musicals, Nostalgia, and Escaping Reality
The death of the film musical has regularly been announced, for almost as long as there have been...
Read More
“Champion” – Scenes From a Boxer’s Life, A New Opera
In an inviting, Frank Lloyd Wright-designed venue, New Yorkers finally got a sampling of Champion,...
Read More
Death on the Rialto: Wallace Shawn’s “Evening at the Talk House”
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
Read More
“Oh Boy!”: From Champigny to Broadway
Following the U.S. premiere of Oh Boy! on Broadway, at the Duke on 42nd Street presented by the...
Read More
The Things We Carry: Geoff Sobelle’s “The Object Lesson”
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
Read More
Mary Zimmerman Directs “Rusalka” at The Met
Antonín Dvořák’s classic story of a water nymph opened at the Met on February 2. Seeing...
Read More
Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
Read More
Last Spring, Dementia Made It to Broadway! Part 2
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
Read More
August Wilson’s “Jitney” on Broadway
A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...
Read More
The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
Read More
Pith and Pathos In “Mata Hari” – A New Opera at HERE
There is no doubting the ambitions of Mata Hari, enjoying its world premiere at HERE, in New...
Read More
Dementia: The Theater Season’s “In” Disease Part 1
Not so long ago characters didn’t lose their memories onstage, even if on rare occasion actors...
Read MoreLike Us On Facebook
Most Popular Posts
Chess The Musical: About Human Nature, Not Politics.… 20th May 2026 - The Precipitation Of Performance: Braddy And Burns… 6th June 2026
- A Theatre Like Society In The Fundamentalist… 23rd May 2026
- “Today, Krleža Would Go Straight For The… 5th June 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- David Yazbek: The Master of Adapting Films into… 2nd April 2026
- Historical Memory On the Stage: Juan Mayorga’s… 11th June 2026
