In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
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United States of America
Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg
As a team member of the first-time partnership between Golden Thread Productions and Literary...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Would You Buy A Theatre Ticket For Someone Who Can’t Afford It? Now You Can
A new ticketing system that allows people to buy tickets for others who may not be able to afford...
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Afterthoughts On Ivo van Hove’s “The Fountainhead”
Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...
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A Pacific Production Of “The Mountaintop” By Katori Hall
For the past two years, Samoan playwright Victor Rodger has been tireless in bringing plays by...
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Julia Cho’s “Office Hour”
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
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Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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American Lyric Theater: 10 Years of Nurturing the Future of Opera
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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Why Produce Karen Zacarías’ “Just Like Us”? Why now?
When I founded the 50 Playwrights Project the last thing I wanted to do was produce live theatre....
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Boston Opera Collaborative’s “Opera Bites” Is A Moveable Feast
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
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A Living Mockery: The Ridiculous Theatrical Company At Fifty
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
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For The Love Of The Game: “Peh LO Tah” at BAM
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
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The “Motherline” Project Honors The Stories Of Women With Depth And Diversity
After starting in New York, the storytelling performance made its international debut in Cairo,...
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“Tiny Beautiful Things” at The Public Theatre
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
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“The Revolutionists”: How Far Have We Come?
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
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Dramaturgical Leadership And The Politics Of Appeal In Commercial Theatre
In an early scene of Rick Elice’s irreverent Peter Pan prequel, Peter And The Starcatcher, the...
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Apothetae And Lark National Convening: Five Conversations About Disability And Theater
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
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“The Mecca Tales” in New York
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
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