United States of America Archives - Page 41 of 57

Oscar Wilde’s “Salome” At Irondale

Posted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America

M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

Posted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America

If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...

Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller

Posted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America

“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...

Mark Sonnenblick And “Midnight At The Never Get”

Posted by David Vernon | 19th Oct 2018 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America

Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America

As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

Posted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America

Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...

Speakeasy Succeeds With “Between Riverside And Crazy”

Posted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America

Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...

Too Close To Home: Stefano Massini’s “Intractable Woman”

Posted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America

A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...

“Hamnet”: A Father/Son Play

Posted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America

Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...

Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Posted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom

Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...

“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

Posted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America

Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...

Rob Roth’s “Soundstage” Fires Up Acoustic Imaginaries

Posted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America

oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.