Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
Read MorePosted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
Read MorePosted by David Vernon | 19th Oct 2018 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
Read MorePosted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America
As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
Read MorePosted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
Read MorePosted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
Read MorePosted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
Read MorePosted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
Read MorePosted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
Read MorePosted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
Read MorePosted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.
Read MorePosted by Trevor Boffone | 21st Sep 2018 | Chicago, Playwriting, Review, Theatre and Politics, United States of America
One of the core components of the Latinx Theatre Commons Carnaval of New Latinx Work in July 2018...
Read MorePosted by Madison Parrotta | 21st Sep 2018 | Review, Theatre and Disability, United States of America
Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...
Read MorePosted by Jonathan Kalb | 20th Sep 2018 | New York, Review, United Kingdom, United States of America
I lost a night’s sleep recently over Forced Entertainment. I did it on purpose. They were coming...
Read MorePosted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
Read MorePosted by Trevor Boffone | 15th Sep 2018 | Musical Theatre, Review, United States of America
I grew up on Oklahoma! Now, I’m not sure how many Millennials can share this feeling, but that was...
Read MorePosted by Jack Wernick | 14th Sep 2018 | New York, Poland, Review, Transmedia, United States of America
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
Read MorePosted by Vikram Phukan | 5th Sep 2018 | India, News, Playwriting, United States of America, Worldwide
While tributes to the American screenwriter and playwright Neil Simon, who passed away at the age...
Read MorePosted by REUTERS | 28th Aug 2018 | News, Playwriting, United States of America, Worldwide
Simon’s plays made him a wealthy man and many were turned into films, which made him even...
Read MorePosted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Michael Appler | 5th Aug 2018 | New York, Review, United States of America
Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 


James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025