Canada Archives - Page 14 of 15

“What A Young Wife Ought To Know”: Birth Control Docudrama

Posted by Maja Stefanovska | 2nd Feb 2018 | Canada, Review, Theatre and Gender

Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...

“887”: A Shared Collective History About the Nature of Memory Itself

Posted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review

Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...

OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

Posted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review

The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...

Review: “Mr. Shi and His Lover” Blurs Time and Allusion Through Contemporary Opera

Posted by Jonas McLean | 23rd Jan 2018 | Canada, Review, Theatre and Opera

Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...

“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre

Posted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera

A word of advice: If you’re going to see this superlative chamber musical, take the time to read...

“An Inspector Calls”: OLT Production Suffers from Problematic Staging Choices

Posted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review

Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...

Review: “An Italian Christmas Carol” Haunts Past And Future

Posted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review

Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Posted by Alvina Ruprecht | 21st Dec 2017 | Canada, Review, Theatre for Young Audiences

The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

Posted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review

Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...

Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses

Posted by Annie Smith | 14th Dec 2017 | Canada, Festivals, Review, Theatre and Dance

Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...

“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!

Posted by Alvina Ruprecht | 6th Dec 2017 | Canada, Israel, Review, Theatre and Dance

This latest work by the Israeli dance company LEV Dance, created by Sharon Eyal and Gai Behar is a...

Tracing With Body And Music In Jeff Ho’s “Trace”

Posted by Shelley Liebembuk | 3rd Dec 2017 | Canada, Playwriting, Review, Theatre and Gender

In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...

Sitting With Amanda Parris’ “Other Side Of The Game”

Posted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics

Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...

Dana Michel’s “Mercurial George” – Illegibility, Identity, Blackness

Posted by Anh Vo | 3rd Nov 2017 | Canada, Festivals, Review, Theatre and Dance

Illegibility, Identity, Blackness The lack of black choreographers/ black voices in Contemporary...

TotoToo’s production of “Bent” – On Being Gay in Nazi Germany

Posted by Jamie Portman | 1st Nov 2017 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics

There are moments in TotoToo’s production of Bent that are as good as anything that this...

Fresh Takes On Fresh Meat, Part 1

Posted by Jonas McLean | 16th Oct 2017 | Canada, Festivals, Review

Jonas McLean catches the first weekend of Ottawa’s Fresh Meat Fest, a self-described “playground”...

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

Posted by Alvina Ruprecht | 15th Oct 2017 | Canada, Germany, Theatre and Dance

The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...

“Onegin:” 21st Century Sensibility Moves Musical Theatre Far Beyond The Box

Posted by Alvina Ruprecht | 20th Sep 2017 | Canada, Musical Theatre

First of all, do not read Pushkin’s Onegin before seeing The Musical Stage Company and NAC English...

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

Posted by Willow White | 12th Sep 2017 | Canada, Theatre and Gender

Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...

Foreign Radical: The Intimate Power of Interactivity

Posted by Aida Rocci | 2nd Sep 2017 | Canada, Immersive Theatre, Transmedia

Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....

Canada

“What A Young Wife Ought To Know”: Birth Control Docudrama

“887”: A Shared Collective History About the Nature of Memory Itself

OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

Review: “Mr. Shi and His Lover” Blurs Time and Allusion Through Contemporary Opera

“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre

“An Inspector Calls”: OLT Production Suffers from Problematic Staging Choices

Review: “An Italian Christmas Carol” Haunts Past And Future

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses

“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!

Tracing With Body And Music In Jeff Ho’s “Trace”

Sitting With Amanda Parris’ “Other Side Of The Game”

Dana Michel’s “Mercurial George” – Illegibility, Identity, Blackness

TotoToo’s production of “Bent” – On Being Gay in Nazi Germany

Fresh Takes On Fresh Meat, Part 1

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

“Onegin:” 21st Century Sensibility Moves Musical Theatre Far Beyond The Box

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

Foreign Radical: The Intimate Power of Interactivity

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