Review: “Sisters” At Soulpepper Theatre
Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...
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Canada
Toto Too’s “Cloudburst” Is Rich In Truth And Humanity
Cloudburst, Toto Too Theatre’s latest offering is a funny, profane, warm-hearted play about the...
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“The Tempest” At The Stratford Festival
Purported to be the last play the Bard had written alone, Stratford’s version of The...
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Moi Qui Parle A Moi-Même Dans Le Numérique Auditory Alienation And Liberation For The Intermedial Performer
With backgrounds in performance and sound design, we were interested in investigating how the...
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Seana Mckenna Shines As Julius Caesar At Stratford
By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...
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New Artistic Director Shakes Up The St. Lawerence Shakespeare Fest With A Season Of Love
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
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Lysistrata In The New World: A Rereading Of The Greek Comedy That Surpasses Its Source Of Inspiration
Odyssey Theatre has at last been reborn under the stars in this Canadian premier. After a period...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
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“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
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Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
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Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
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“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
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Acting Legend Martha Henry Triumphs As Prospero At Stratford
STRATFORD—We find ourselves immediately plunged into the opening shipwreck scene: sails flapping...
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Robert Lepage Finally Makes It To Stratford With An Astonishing “Coriolanus”
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
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Silence And Violence In “4’33” In Baghdad” (Montreal Fringe)
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...
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The Shaw Festival Misfires With “The Baroness And The Pig”
The scene does offer some amusement. A benevolent Baroness has embarked on a key initiative in her...
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How To Make Plays In Foreign Languages Available To All Or Is This A Pipe Dream?
I was sitting expectantly in a theatre in Montreal to see Tom Na Fazenda (Tom A La Ferme or Tom At...
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Chekov Surfaces In The Okanagan In A Sterling Shaw Festival Premiere
Sarena Parmar’s new play, The Orchard, deserves to be met on its own quietly compelling terms....
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The Cirque Du Soleil Redefines Its Space And Becomes Contemporary Theatre!
Le Cirque du Soleil is back in Ottawa, this time with a show called Corteo already seen by 8...
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