United Kingdom Archives - Page 8 of 54

“Stumped.” Live Theatre In The Age Of Hybrid Realities.

Posted by Annette Balam | 10th Sep 2023 | Review, Transmedia, United Kingdom

Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...

Tim Fraser’s Candy At Park Theatre: Moving Account Of Gender Identity And Masculinity

Posted by Aleks Sierz | 6th Sep 2023 | Review, United Kingdom

Okay, let’s start with a definition: it is said that sex is what you have between your legs, and...

UNBOX ME! Live Theatre and the Virtual World.

Posted by Annette Balaam | 4th Sep 2023 | Review, Transmedia, United Kingdom

UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...

“A Mirror” at Almeida Theatre

Posted by Aleks Sierz | 3rd Sep 2023 | Acting, London, Review, United Kingdom

This is a play about censorship in a totalitarian state — but, no, I’m not reviewing The...

Edinburgh Fringe 2023: Overview

Posted by Duška Radosavljević | 22nd Aug 2023 | Edinburgh 2023, Review, Scotland

There is a show at this year’s Fringe called Distant Memories of the Near Future written and...

Lucy Prebble’s “The Effect” At The National Theatre: Non-White Cast Bring A New Energy To This Contemporary Classic

Posted by Aleks Sierz | 21st Aug 2023 | Review, United Kingdom

Success always opens doors. Ever since the HBO drama Succession was lauded as a huge international...

Edinburgh Fringe 2023: “Lucy and Friends,” Pleasance Courtyard

Posted by Duška Radosavljević | 20th Aug 2023 | Edinburgh 2023, Review, Scotland

Lucy McCormick used to do music gigs and re-enactments, but she has now put her past and her...

Edinburgh Fringe 2023: #Danish Ed Fringe

Posted by Duška Radosavljević | 19th Aug 2023 | Denmark, Edinburgh 2023, Review, Scotland

There is a little red brochure going around the Edinburgh Fringe titled #Danish. It represents the...

Big In Belgium At The Edinburgh Fringe 2023

Posted by Duška Radosavljević | 18th Aug 2023 | Belgium, Edinburgh 2023, Review, Scotland

It was exactly ten years ago that Big in Belgium – a season of work from Flanders – was first...

Edinburgh International Festival 2023: “FOOD” By Geoff Sobelle

Posted by Duška Radosavljević | 17th Aug 2023 | Edinburgh 2023, Review, Scotland

You would not have been wrong to expect a feast in this show set at a giant dining table, fully...

“Rock Follies” Review: Powerful New Musical Brings 1970s Feminist TV Sensation to the Stage

Posted by Erika Hughes | 16th Aug 2023 | Adaptation, Review, Theatre and Gender, United Kingdom

Rock Follies was a groundbreaking television series about an all-female rock band that originally...

Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”

Posted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Poland, Review, Scotland

Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...

Edinburgh International Festival 2023: “Trojan Women” By The National Theatre Of Korea

Posted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Review, Scotland, South Korea

There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...

Brian Friel’s Dancing At Lughnasa At The National Theatre London

Posted by Michał Lachman | 10th Aug 2023 | Ireland, Review, United Kingdom

The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...

Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement

Posted by Kitty Brandon-James & Alma Prelec | 5th Aug 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom

Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...

“Beneatha’s Place,” Young Vic

Posted by Aleks Sierz | 4th Aug 2023 | London, Review, Theatre and Politics, United Kingdom

Trauma is the source of identity politics. In the case of African-Americans, the experience of...

Stephen Brown And Mark Rylance’s “Dr Semmelweis” At The Harold Pinter Theatre

Posted by Mert Dilek | 25th Jul 2023 | Review, Theatre and Science, United Kingdom

Today’s obvious was most likely yesterday’s incredible. This is the conceit at the heart of Dr...

Sarah Middleton’s “Shewolves” at the Southwark Playhouse: Energetic Teen Fairy Tale

Posted by Aleks Sierz | 6th Jul 2023 | Review, Theatre and Science, United Kingdom

Climate-change activist Greta Thunberg is great at doing two things: irritating complacent adults...

James Graham’s “Dear England” At The National Theatre: Joseph Fiennes Plays A Mesmerizing Soccer Manager In This Sport-Of-The-Nation Drama

Posted by Aleks Sierz | 3rd Jul 2023 | Review, United Kingdom

James Graham’s Dear England at the National Theatre: Joseph Fiennes plays a mesmerizing soccer manager in this sport-of-the-nation drama

Martin McDonagh’s “The Pillowman” at the Duke of York’s Theatre

Posted by Mert Dilek | 29th Jun 2023 | Review, Theatre and Politics, United Kingdom

Martin McDonagh is perhaps better known today globally for his recent accomplishments on screen as...

United Kingdom

“Stumped.” Live Theatre In The Age Of Hybrid Realities.

Tim Fraser’s Candy At Park Theatre: Moving Account Of Gender Identity And Masculinity

UNBOX ME! Live Theatre and the Virtual World.

“A Mirror” at Almeida Theatre

Edinburgh Fringe 2023: Overview

Lucy Prebble’s “The Effect” At The National Theatre: Non-White Cast Bring A New Energy To This Contemporary Classic

Edinburgh Fringe 2023: “Lucy and Friends,” Pleasance Courtyard

Edinburgh Fringe 2023: #Danish Ed Fringe

Big In Belgium At The Edinburgh Fringe 2023

Edinburgh International Festival 2023: “FOOD” By Geoff Sobelle

“Rock Follies” Review: Powerful New Musical Brings 1970s Feminist TV Sensation to the Stage

Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”

Edinburgh International Festival 2023: “Trojan Women” By The National Theatre Of Korea

Brian Friel’s Dancing At Lughnasa At The National Theatre London

Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement

“Beneatha’s Place,” Young Vic

Stephen Brown And Mark Rylance’s “Dr Semmelweis” At The Harold Pinter Theatre

James Graham’s “Dear England” At The National Theatre: Joseph Fiennes Plays A Mesmerizing Soccer Manager In This Sport-Of-The-Nation Drama

Martin McDonagh’s “The Pillowman” at the Duke of York’s Theatre

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