Danny Robins’s “2:22 A Ghost Story” at The Apollo Theatre: Populist Shocker Is Pretty Chill Free
Can you enjoy a ghost story during summer? Usually the idea of a haunted house suggests images of...
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About Vortex
Last Saturday, I went to the Excelsior Studios in Park Royal to see a performance of the Russell...
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Shakespeare’s First Folio Turns 400: What Would Be Lost Without the Collection? An Expert Speculates
It has been 400 years since the publication of the first collected edition of Shakespeare’s plays,...
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“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
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Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking
We are watching history being made: after decades of being in the shadows, queer drama is now...
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“Sea Creatures,” Hampstead Theatre
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
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Brian Friel’s “Dancing at Lughnasa” at the National Theatre: Josie Rourke’s Spirited Revival of This 1990 Classic Is More Fun than Subtle
Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...
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Miriam Battye’s “Little Scratch” at the New Diorama Theatre: Restaged Adaptation of Rebecca Watson’s Novel Is Powerfully Theatrical
The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...
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“Further Than the Furthest Thing” at the Young Vic
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
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“The Winter’s Tale” Review: Jarring Shakespeare’s Globe Production Lacks Warmth
The Winter’s Tale is one of Shakespeare’s great “hospitality plays” — a tragicomedy about what...
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Ryan Calais Cameron’s “For Black Boys…” at the Apollo Theatre
Contemporary Black British theatre is admirably adamant about pushing its own boundaries and...
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“Love”—A Dissenting View
Alexander Zeldin’s Love— a much-celebrated, quietly confrontational, British-devised piece from...
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The House Where Phantom Lived. Part II – Her Majesty’s Theatre, London.
Аn Exclusive Interview with James Paterson who was part of the original cast of the legendary...
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“Lemons Lemons Lemons Lemons Lemons” Play – How Silence and Body Language Can Communicate as Much as Words
When we talk to each other, there’s what we say out loud, what we wish we could say, and what...
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Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
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Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
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Matilda Feyiṣayọ Ibini’s “Sleepova” at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age
Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...
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“Trouble In Butetown” at the Donmar Warehouse
With the fast-approaching anniversary of the latest war in Europe, our culture’s continued...
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“Much Ado About Nothing:” National Youth Theatre Gives Shakespeare the Love Island Treatment
“What’s your type on paper?” is frequently asked by contestants on the popular reality dating...
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Laura Horton’s “Breathless” at the Soho Theatre: Slender but Heartfelt Account of Hoarding
The female monologue is a well-established contemporary theatre form, but often the content is...
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