Are Monologues The Best Or “The B*easts” At The Bush Theatre?
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Conrad Landin | 24th Feb 2018 | London, News, Playwriting, United Kingdom
Alan Bennett’s next play will focus on an NHS hospital threatened with closure thanks to...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Christopher Harris | 15th Feb 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Bryony Kimmings | 13th Feb 2018 | Musical Theatre, News, United Kingdom
I cannot believe it’s the first month of 2018 and I’m here in the last week of rehearsals for A...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Aleks Sierz | 8th Feb 2018 | London, Review, United Kingdom
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read MorePosted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
Read MorePosted by Colin Hambrook | 30th Jan 2018 | Review, Theatre and Disability, United Kingdom
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by Zoe Anderson | 14th Jan 2018 | News, Theatre and Dance, United Kingdom
Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Theresa Saxon | 8th Jan 2018 | Essay, Management, United Kingdom
Without an audience in the theatre, there’d be no drama. But audiences have been providing rather...
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