“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
Read MorePosted by Colin Hambrook | 30th Jan 2018 | Review, Theatre and Disability, United Kingdom
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by Zoe Anderson | 14th Jan 2018 | News, Theatre and Dance, United Kingdom
Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Theresa Saxon | 8th Jan 2018 | Essay, Management, United Kingdom
Without an audience in the theatre, there’d be no drama. But audiences have been providing rather...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Adam Sherwin | 6th Jan 2018 | London, News, United Kingdom
“Come, and take choice of all my library, And so beguile thy sorrow,” Shakespeare wrote. Now...
Read MorePosted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
Read MorePosted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
Read MorePosted by Hannah Treadaway | 26th Dec 2017 | News, Theatre and Disability, United Kingdom
As we’re coming towards the New Year, I’ve been reflecting on 2017. I’ve recently been a resident...
Read MorePosted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
Read MorePosted by Katalin Trencsényi | 24th Dec 2017 | Essay, Translation, United Kingdom
When talking about translation, statistics show an alarming picture. The United Kingdom has the...
Read MorePosted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
Read MorePosted by Duška Radosavljević | 13th Dec 2017 | Dramaturgy, Essay, Participatory Theatre, United Kingdom
Between 2002–2005, I carried the professional title of a Dramaturg in the UK. Even when confronted...
Read More