“Diversity Is Not A Policy, It’s Life.” Giles Terera On “Hamilton” And The Future Of Diversity In London Theater
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
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United Kingdom
Women Of The World Write: “Global Female Voices” At The Arcola Theatre
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
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Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
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Sergey Kuryshev: This Means Figuring Out Our Life And Presenting It On The Basis Of The Classic Text
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
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“Nightfall” at The Bridge Theatre
Playwright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has...
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“Calderland–A People’s Opera” Celebrating Yorkshire Community’s Response To Floods Wins Top Award
A “folk opera” which celebrates the response of the local community in Calder Valley to the...
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“Mood Music” at The Old Vic
Playwright Joe Penhall and the music biz? Well, they have history. When he was writing the book...
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“Masterpieces” at The Finborough Theatre
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
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Ella Hickson’s “The Writer” at The Almeida Theatre
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
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London’s Fatberg Is Getting Its Own Musical
London’s fatberg–the giant mass of congealed fat and disposed items like nappies and sanitary...
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“Jack The Ripper” Opera Will Not Glorify Sexual Violence Against Women Says ENO
The English National Opera has promised that the world premiere of a new opera about Jack the...
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“Reasons To Be Graeae:” A Foreword From Mat Fraser
Mat Fraser is an English rock musician, actor, writer, and performance artist who performed with...
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“Nine Night” at The National Theatre: The Play About Grief
The good news about so-called black drama on British stages is that it has broken out of its...
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“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer
It’s not often that a children’s theatre features a piece about a pedophile and child...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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Natasha Marshall’s “Half Breed” at The Soho Theatre
In the 2000s one of the many glories of new writing for British stages was the linguistically...
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Anthony Neilson’s “The Prudes” at The Royal Court
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
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Women Dancers In India and UK At A Glance
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
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“Mayfly” at The Orange Tree Theatre
The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...
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“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
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