“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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United Kingdom
Natasha Marshall’s “Half Breed” at The Soho Theatre
In the 2000s one of the many glories of new writing for British stages was the linguistically...
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Anthony Neilson’s “The Prudes” at The Royal Court
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
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Women Dancers In India and UK At A Glance
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
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“Mayfly” at The Orange Tree Theatre
The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...
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“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
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Arrows And Traps: A Charming Rendition Of Chekhov’s “Three Sisters”
“To Moscow, to Moscow…” The renowned lament in Anton Chekhov’s Three Sisters still...
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“Quiz” at Noël Coward Theatre: Towards Participatory Theatre
It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...
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“Pressure” at The Park Theatre: New Play on D-Day
There are few things more British than talking about the weather. What makes this play about a...
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“The Way Of The World” at The Donmar Warehouse
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
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Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
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Chinese Vagina Monologues And Beyond
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
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“Plastic” at the Old Red Lion Theatre: On Teenage Love and Tragedy
Many years ago, your time at school might even have been some of the happiest days of your...
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King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison
Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...
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What It’s Like To Be A Female Fight Director
“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...
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“Hamilton” Is The Biggest Winner At Olivier Awards
Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...
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“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best
Every great playwright has to have both an identifiable style and the ability to innovate and...
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Inclusivity: Welcoming Autistic Folk Into The Theater
I work for the National Autistic Society as their Autism Access Specialist. While this may seem...
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“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder
Love may well be the strongest four-letter word, but what is the latest news from the front line...
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Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre
Dysfunctional families do not know about time or place. We may all know too well that reading...
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