“The Prom”: The Challenges of Adapting The Stage to The Screen
There is growing excitement for the star-studded release of the Netflix film adaptation of the...
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United Kingdom
Philip Ridley’s “The Poltergeist” at the Southwark Playhouse: High-Powered Tour de Force
Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the...
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Interview: Disabled Artists Reinterpreting the Wellcome Collection
From ancient tattooed skin to dental mouth gags, Unlimited’s latest collaboration with the...
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Hamlet is Shakespeare’s Greatest Villain
Who is Shakespeare’s greatest villain? Richard III? Iago? Macbeth? They all have a claim to the...
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“Quarter Life Crisis” at The Bridge Theatre
Success smells sweet. The Bridge Theatre’s pioneering season of one-person plays continues with...
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“It’s OK to be Naked”: An Interview with Tim Norwood
Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...
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“An Evening With an Immigrant” at The Bridge Theatre
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
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About “We Are Shadows: Brick Lane”
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
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In Conversation With Ashok Mistry, Gobscure, And Letty McHugh: DAO Associate Artists
In July of 2020, Disability Arts Online (DAO) announced their three Associate Artists—Ashok...
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“The Atlantis Project:” Creator Chris Harris on the Intersection of Culture and Climate Change in His New Audio Series for Young Audiences
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
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”Scrounger” at the Finborough Theatre
During the current pandemic, stories about isolation have a particular resonance. Feelings of...
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John Rwoth-Omack Bears The Torch Of African Theatre In The Diaspora
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
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“My White Best Friend (And Other Letters Left Unsaid)” at The Royal Court
The strength of the response to the re-emergence of the Black Lives Matter campaign has encouraged...
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Theatre Companies Are Pushing Storytelling Boundaries With Online Audiences Amid COVID-19
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a...
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Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
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“Scored In Silence”: Digital Dance Piece Tells Stories Of Deaf Survivors Of The Hiroshima And Nagasaki Attacks
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
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Paid-For Digital Streaming Has A Place In Theatre’s Return
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
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Death Of The Theatre Critic?
This is the age of marketing, not the age of criticism. To give an example, I’ll start with a...
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Richard Butchins’ “213 Things About Me:” The Theatre of Lockdown
Award-winning disabled documentary filmmaker, photographer, artist, published writer, and...
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Coronavirus: Theatres Are Already Closing – The UK Government Needs To Act Now
The executive director of Manchester’s Royal Exchange Theatre, Steve Freeman, could have been...
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