“Misfits” at The Queen’s Theatre Hornchurch
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
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United Kingdom
“A Christmas Carol”at The Bridge Theatre
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
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“Death of England: Delroy”, National Theatre
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
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“What a Carve Up!”, Barn Theatre
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
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“Cyprus Avenue”: A Shocking Exploration of Trauma and Identity
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
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The Interplay of Text and Movement in Dance Dramaturgy
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
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What Are The Challenges In Translating Comedy For The Stage: Laughs Sans Frontières
What are the challenges in translating comedy for the stage? And how do you get your translation...
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Theater in Translation at the British Centre for Literary Translation
The annual International Literary Translation & Creative Writing Summer School is delivered in...
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About “A Coin In Someone Else’s Pocket”
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
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“The Prom”: The Challenges of Adapting The Stage to The Screen
There is growing excitement for the star-studded release of the Netflix film adaptation of the...
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Philip Ridley’s “The Poltergeist” at the Southwark Playhouse: High-Powered Tour de Force
Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the...
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Interview: Disabled Artists Reinterpreting the Wellcome Collection
From ancient tattooed skin to dental mouth gags, Unlimited’s latest collaboration with the...
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Hamlet is Shakespeare’s Greatest Villain
Who is Shakespeare’s greatest villain? Richard III? Iago? Macbeth? They all have a claim to the...
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“Quarter Life Crisis” at The Bridge Theatre
Success smells sweet. The Bridge Theatre’s pioneering season of one-person plays continues with...
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“It’s OK to be Naked”: An Interview with Tim Norwood
Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...
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“An Evening With an Immigrant” at The Bridge Theatre
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
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About “We Are Shadows: Brick Lane”
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
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In Conversation With Ashok Mistry, Gobscure, And Letty McHugh: DAO Associate Artists
In July of 2020, Disability Arts Online (DAO) announced their three Associate Artists—Ashok...
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“The Atlantis Project:” Creator Chris Harris on the Intersection of Culture and Climate Change in His New Audio Series for Young Audiences
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
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”Scrounger” at the Finborough Theatre
During the current pandemic, stories about isolation have a particular resonance. Feelings of...
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