Mark Ravenhill’s “Angela” on The Sound Stage
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Aleks Sierz | 24th Apr 2021 | Review, Scotland, Theatre and Age, Transmedia, United Kingdom
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Paula Rodríguez | 23rd Apr 2021 | Acting, Essay, Theatre and Politics, Transmedia, United Kingdom
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
Read MorePosted by Alexander Fatouros | 3rd Apr 2021 | London, Management, News, Producing, United Kingdom
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Read MorePosted by Aida Rocci | 19th Mar 2021 | Immersive Theatre, Participatory Theatre, Transmedia, United Kingdom
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
Read MorePosted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by Aleks Sierz | 10th Mar 2021 | Review, United Kingdom
As the events of last year made clear, the police have a problem with race on both sides of the...
Read MorePosted by Aleks Sierz | 23rd Feb 2021 | Covid-19, Review, Theatre and Art, United Kingdom
Film is the new theatre — this we know, but does the distance imposed by the change of medium...
Read MorePosted by Aleks Sierz | 10th Feb 2021 | Acting, Covid-19, Review, United Kingdom
Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....
Read MorePosted by Aleks Sierz | 15th Jan 2021 | Playwriting, United Kingdom
Ten prompts for writing about the year 2020: 1) “It started with a slight cough, a rather dry...
Read MorePosted by Aleks Sierz | 11th Jan 2021 | Review, Theatre and Politics, United Kingdom
Last week I watched Sarah Grochala’s award-winning short play, S-27, now streaming from the...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Aleks Sierz | 28th Dec 2020 | London, Review, United Kingdom
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
Read MorePosted by Aleks Sierz | 18th Dec 2020 | London, Review, United Kingdom
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
Read MorePosted by Aleks Sierz | 13th Dec 2020 | Covid-19, Review, United Kingdom
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
Read MorePosted by Aleks Sierz | 10th Dec 2020 | Review, Transmedia, United Kingdom
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
Read MorePosted by Emmalynn Mallay | 6th Dec 2020 | London, Review, United Kingdom
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
Read MorePosted by Rute Costa | 3rd Dec 2020 | Dramaturgy, Interview, Theatre and Dance, United Kingdom
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
Read MorePosted by Charlie Gobbett | 2nd Dec 2020 | France, Translation, United Kingdom
What are the challenges in translating comedy for the stage? And how do you get your translation...
Read MorePosted by Charlie Gobbett | 28th Nov 2020 | Transcultural Collaborations, Translation, United Kingdom
The annual International Literary Translation & Creative Writing Summer School is delivered in...
Read MorePosted by Aleks Sierz | 25th Nov 2020 | Review, Theatre and Religion, United Kingdom
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
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