Petar Miloshevski’s Remarkable Solo – Being Beautiful, Passionate, in Love
An interview with Petar Miloshevski – A London-based actor, performer, theatre artist. Petar...
Read MorePosted by Ivanka Apostolova Baskar | 16th Feb 2020 | Acting, Interview, London, Macedonia, United Kingdom
An interview with Petar Miloshevski – A London-based actor, performer, theatre artist. Petar...
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Mert Dilek | 15th Feb 2020 | London, Review, United Kingdom
Towards the end of Leopoldstadt, a young writer named Leonard is handed a sheet of paper with his...
Read MorePosted by Aleks Sierz | 14th Feb 2020 | Essay, London, United Kingdom
“Fetch me ’ammer.” (Edward Bond, Saved) “Art is not a mirror held up to reality, but a hammer with...
Read MorePosted by Duška Radosavljević | 13th Feb 2020 | London, Review, Transmedia, United Kingdom
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
Read MorePosted by Aleks Sierz | 11th Feb 2020 | London, Review, United Kingdom
Your sweet tooth can get you into trouble. Lots of trouble. In this revival of Lucy Prebble’s...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Aleks Sierz | 6th Feb 2020 | London, Review, Theatre and Gender, United Kingdom
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
Read MorePosted by Aleks Sierz | 2nd Feb 2020 | Essay, London, United Kingdom
Theatre is a business as well as a craft. And surveys about theatre often have a business side to...
Read MorePosted by Mert Dilek | 1st Feb 2020 | Adaptation, London, Review, United Kingdom
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
Read MorePosted by Alex Mermikides | 31st Jan 2020 | Books, London, Theatre and Science, United Kingdom
This excerpt is taken from the concluding chapter of Performance, Medicine and the Human, a book...
Read MorePosted by Aleks Sierz | 24th Jan 2020 | London, Review, United Kingdom
The prolific Mike Bartlett — from whose pen have leaped television series such as Doctor...
Read MorePosted by Aleks Sierz | 23rd Jan 2020 | London, Review, United Kingdom
The 1990s were a great decade for new writing, but although the story of those years is often told...
Read MorePosted by Aleks Sierz | 22nd Jan 2020 | London, Review, United Kingdom
Turn on the news. Go on. No? Okay, switch on the radio. Why not? Oh, I see, because the news is...
Read MorePosted by Julian De Medeiros | 17th Jan 2020 | Adaptation, London, Review, Theatre and Gender, United Kingdom
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to...
Read MorePosted by Aleks Sierz | 14th Jan 2020 | London, Review, United Kingdom
Actor James McAvoy is much in demand: in the BBC’s His Dark Materials he is busy saving a parallel...
Read MorePosted by Aleks Sierz | 12th Jan 2020 | London, Review, United Kingdom
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
Read MorePosted by Aleks Sierz | 11th Jan 2020 | London, Review, United Kingdom
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
Read MorePosted by Aleks Sierz | 7th Jan 2020 | London, Review, United Kingdom
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
Read MorePosted by Aleks Sierz | 22nd Dec 2019 | London, Review, United Kingdom
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade....
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