Paul Mason’s Revolutionary New Play, “Why It’s Kicking Off Everywhere”
Paul Mason has been expanding his portfolio of late. The former economics editor of Channel 4 News...
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London
New Adaptation of “Woyzeck” at Old Vic
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
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Lucy McCormick’s “Triple Threat” Is The Nativity Reimagined, With LGBT Club Culture, Vibrators, And Lady Gaga
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
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Mikhail Baryshnikov’s One-Man Show Showcases Joseph Brodsky’s Poetry And Their Lifelong Friendship
Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...
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Sex, Masturbation, And Dementia: A Review Of David Baddiel’s “My Family: Not The Sitcom”
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
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Sex, Death, and Gender Fluidity in Wilde’s “Salomé” at Royal Shakespeare Company
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
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“Salomé” at the National Theatre
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
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Simon Stephens’ “Nuclear War” at The Royal Court Theatre
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
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Martin Crimp’s “The Treatment” at Almeida Theatre
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
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“Don Juan in Soho” Featuring David Tennant
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
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David Henry Hwang’s “Chinglish” Premieres in London
There is something strangely genuine and comically truthful about the European première of David...
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Brexit Play Attempts to Break the Bubble
Much has been written over recent months about the apparent bubble in which we are all now living,...
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Hamlet-Inspired “Love in Idleness” at the Menier Chocolate Factory
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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“The Pitchfork Disney” at Shoreditch Town Hall
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
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Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
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Review: “Sex With Strangers” at Hampsted Theatre
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
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“Killer” – An Experiential Thriller
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
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