Erich Maria Remarque’s “Three Comrades” (“Drei Kameraden”) by the Sovremennik Theatre
This new tour of the Sovremennik Theatre in London also meant the premiere of Erich Maria...
Read MorePosted by Anna Prosvetova | 10th Jun 2017 | London, Review, Russia, United Kingdom
This new tour of the Sovremennik Theatre in London also meant the premiere of Erich Maria...
Read MorePosted by Aida Rocci | 9th Jun 2017 | London, Review, United Kingdom
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
Read MorePosted by Aida Rocci | 1st Jun 2017 | Immersive Theatre, London, Review, United Kingdom
“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...
Read MorePosted by Alice Jones | 29th May 2017 | London, Review, Theatre and Politics, United Kingdom
Paul Mason has been expanding his portfolio of late. The former economics editor of Channel 4 News...
Read MorePosted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
Read MorePosted by Michael Segalov | 23rd May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
Read MorePosted by Jessica Barrett | 23rd May 2017 | London, Review, Theatre and Dance, United Kingdom
Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...
Read MorePosted by Alice Jones | 22nd May 2017 | Acting, London, Review, United Kingdom
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Holly Williams | 20th May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
Read MorePosted by Aleks Sierz | 20th May 2017 | Adaptation, London, Review, United Kingdom
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
Read MorePosted by Aleks Sierz | 7th May 2017 | London, Review, United Kingdom
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
Read MorePosted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Mary Mazzilli | 8th Apr 2017 | London, Playwriting, Review, United Kingdom
There is something strangely genuine and comically truthful about the European première of David...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Aleks Sierz | 19th Mar 2017 | London, Review, United Kingdom
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
Read MorePosted by Aida Rocci | 16th Mar 2017 | Interview, London, Spain, Transcultural Collaborations, Translation, United Kingdom
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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