Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
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Theatre and Politics
“Husino’s Miner” at Dodona Theatre, Prishtina, Kosovo
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
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Remembering Joan Littlewood (6 October 1914 – 20 September 2002)
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
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Exclusive Interview with Stuart Nash, Founder of Nairobi Performing Arts Studio
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
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“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
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Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
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Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
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Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
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“Chasing Hares” at the Young Vic
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
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Parastoo Theatre: Art, Refuge, Action
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
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Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part II
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
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“The Hour of Death,” Bokshi Theatre Company
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
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About “Dog/Actor” at the Etcetera Theatre
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
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“The Years of Crows” at National Theatre, Belgrade
National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...
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“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
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Post-Factual Theater: “MJ” on Broadway
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
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The Troubled State of Performing Arts in Hong Kong
Hong Kong’s branding campaign as “Asia’s World City” sings the praises of its liveability,...
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Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
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“We’ll Meet Again” Review
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
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