Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
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Theatre and Politics
Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
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Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
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Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
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“Chasing Hares” at the Young Vic
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
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Parastoo Theatre: Art, Refuge, Action
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
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Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part II
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
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“The Hour of Death,” Bokshi Theatre Company
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
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About “Dog/Actor” at the Etcetera Theatre
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
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“The Years of Crows” at National Theatre, Belgrade
National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...
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“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
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Post-Factual Theater: “MJ” on Broadway
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
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The Troubled State of Performing Arts in Hong Kong
Hong Kong’s branding campaign as “Asia’s World City” sings the praises of its liveability,...
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Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
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“We’ll Meet Again” Review
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
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From a Position of Perspectives: An Interview with Patrice Pavis
There is always a cultural gap between scholars and artists, each group being suspicious of the...
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“Legend of The Waitress & The Robber” – A Korean American Cross Cultural Collaboration Makes it to New York City
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
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“Theater Now Is Important, It Gives People the Feeling that They Are Not Alone”: An Interview with the Ukrainian Playwright Andriy Bondarenko
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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