“Continuity” at The Finborough Theatre
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
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Theatre and Politics
Oedipus Zoom: Remaking Tragedy, Now Via Video Conference
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
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The Dangers of Optical Illusionary Performative Activism
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
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The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
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Curve Leicester’s “What the Butler Saw”: A Review
Over the past couple of months, theatre reviewing has become film reviewing, and venues all over...
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Is COVID-19 A Blessing In Disguise For Theatre?
On the center stage, where many an actor has strutted his stuff, sits a ghost light. Lonesome....
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Serbian Balcony Performances in Times of COVID-19: Clapping, Protesting, Confrontation
How did diverse balcony performances emerge in Serbia during the coronavirus epidemic and how did...
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How to Support the Arts During a Pandemic
Steadily gathering supporters online is a crowd-funding campaign that trains its specific energies...
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“#aiww: The Arrest of Ai Weiwei” at The Hampstead Theatre
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to...
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Lockdown: A Testing Time for Surabhi Theatre Artistes in Hyderabad
With their sole means of livelihood being out of bounds, members of Sri Venkateswara Surabhi...
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Culture Matters: Lluís Pasqual, Pedro Almodóvar and Spain’s Cultural Sector Respond to the Seeming Indifference of the Country’s Minister of Culture
There was a moment on April 7th when the vision for culture in Spain under Covid-19 looked pretty...
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“Herrin Made” Used Theatre to Reflect Community History in Southern Illinois
Herrin Made was a play written and performed in the United States’ deeply rural area of Southern...
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Must the Show Go On During the COVID-19 Outbreak?
Responses to the spread of the COVID-19 virus have varied widely from country to country and are...
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“Paradise Blue:” An Ode to the Soundtrack of the African American Life – Jazz
Paradise Blue is perhaps the more famous in the trilogy of plays called The Detroit Project...
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“Bubble” is Digital Performance for the Political Viewer
It’s only been a week since London’s West End went dark and theatres closed all over the UK, but...
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Family and Community and Isolation in “The Croft”
With everyone in lockdown, observing physical if not social distancing, a story about isolation...
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“The Claim” at The Shoreditch Town Hall
Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...
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“Launcher 5,” or a Recipe to Make Young Men Monsters
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
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Review of Porte Parole’s “The Assembly – Montreal”
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
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Ken Watanabe: A Conquistador in “Pizarro”
Ever since his Oscar-nominated Hollywood debut as Lord Katsumoto in 2003’s The Last Samurai, Ken...
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