Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
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Theatre and Politics
World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
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“Dream Hou$e”—The Costs of Home
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
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“Red Pitch”, Bush Theatre
Football stories are never just about a game — they are also about life and how to live it. In...
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ProEnglish Theatre in Kyiv: It’s Important that Art Doesn’t Stop during War
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
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The Plight of DREAMers Moves To A National Stage; Maybe This Will Truly Help
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
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“Fever,” Mladinsko Theatre
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
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Musical Theatre Actors of Ukraine in War
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
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Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
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Nicoleta Esinencu: On Making Enemies and Creating Communities
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
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Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
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The Anatomy of Lost Love: Russian Culture at War
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
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“Alles Unter Kontrolle”
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
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A New Musical, “Panawathi Girl,” is a Fantasy of Australia’s Past — and a Critique of Australia’s Present
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
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“We are a Nation of Jailers”: “Jurrungu Ngan-ga” is a Whirlwind of Bodily Resistance
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
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More Morisseau: “Skeleton Crew” by Dominique Morisseau
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
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“The 4th Country,” Park Theatre
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
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Kosova Theatre Showcase was on Stage for the 4th Time
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
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“Fires” This Time
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
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“Samson” Wins International Award
Samson, the South African theatrical work produced by Third World Bunfight, is one of six winners...
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