Mike Bartlett’s “Scandaltown” at Lyric Hammersmith
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
Read MorePosted by Aleks Sierz | 18th Apr 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
Read MorePosted by Aleks Sierz | 14th Apr 2022 | London, Review, Theatre and Politics, United Kingdom
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
Read MorePosted by Aleks Sierz | 12th Apr 2022 | Applied Theatre, Essay, Theatre and Politics
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read MorePosted by Kasia Lech | 29th Mar 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
Read MorePosted by Dramatyczny Kolektyw | 28th Mar 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
Read MorePosted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Borisav Matić | 19th Mar 2022 | Interview, Theatre and Politics, Translation, Ukraine
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
Read MorePosted by Tony Valdovinos | 16th Mar 2022 | Musical Theatre, New York, Theatre and Politics, United States of America
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
Read MorePosted by Evelin Bizjak | 15th Mar 2022 | Review, Slovenia, Theatre and Politics
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
Read MorePosted by Tanya Vasylkevych | 13th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
Read MorePosted by Tanya Vasylkevych | 7th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
Read MorePosted by Tom Mustroph | 6th Mar 2022 | Interview, Moldova, Theatre and Politics
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
Read MorePosted by Cristina Modreanu | 1st Mar 2022 | Interview, Theatre and Politics, United States of America
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
Read MorePosted by John Freedman | 24th Feb 2022 | Essay, Russia, Theatre and Politics
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
Read MorePosted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
Read MorePosted by Jonathan W. Marshall | 18th Feb 2022 | Australia, Review, Theatre and Politics
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026