“Text Me When You Arrive” is Witty, Punchy, and Hard-Hitting!
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
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Theatre and Gender
“Oleanna,” Arts Theatre
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
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We Used Performing Arts to Map Out Gender Violence in Sierra Leone. What We Found
It’s been more than two years since Sierra Leone declared a state of emergency over sexual and...
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The Personal is Political: Theatre as Therapy in Madrid
The Spanish capital ranks amongst the European cities with the highest mortality rates for...
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About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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The Women Making Waves in Theatre in Africa Part 2
In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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Adishakti Theatre Arts’ Latest Musical Turns the Lens on Sexual Assault and Power Politics at the Workplace
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play...
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“Six Men for Every Four Women”: Gender Inequalities in Theatre Programming Revealed in New Cross-Europe Study
Men continue to outnumber women and hold the most prestigious positions in theatre programmes, a...
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Chinese Actress, Qi Xi, Wants More Roles for Women, by Women
This story is part of Sixth Tone’s five-year anniversary project Changemakers. When given the...
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“My Vagina Was Not Buried With Him”: A Rich Multi Genre Narrative
My Vagina Was Not Buried With Him is celebrated and multi award-winning poet, playwright, director...
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Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
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Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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Perth Festival Review: “Whale Fall” is a Powerful Story About a Trans Boy, and the Life of a Whale
Review: Whale Fall, written by Ian Sinclair and directed by Melissa Cantwell for The Kabuki Drop....
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“The Red Femicycle”: Gender Based Violence in Sharp Focus
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
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Self-Isolation and the Modern-Medieval Sounds of “The Anchoress”
A blend of evocative medieval accompaniment and leaping modern Soprano melodies, The Anchoress is...
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“Waiting for Gretchen: Faust” – Teater Republique
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
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“It’s OK to be Naked”: An Interview with Tim Norwood
Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...
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“Fela and the Kalakuta Queens” Goes Online
African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...
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Star Cycles: Composer/Performer Karl Saint Lucy and Their Production, “Different Stars: A Reckoning with Time, Trauma, and Circumstance”
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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