Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
Read MorePosted by Aleks Sierz | 23rd Apr 2020 | Adaptation, Directing, Germany, Review, Theatre and Film, Theatre and Gender, Transmedia
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
Read MorePosted by David O'Donnell | 29th Mar 2020 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
Read MorePosted by Christiane Waked | 21st Mar 2020 | Lebanon, Review, Theatre and Gender, United Kingdom
Ghalia’s Miles brilliantly brings the crude harsh reality of the Middle East to life. It pierces...
Read MorePosted by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
Read MorePosted by Nobuko Tanaka | 28th Feb 2020 | Interview, Japan, Theatre and Gender
With William Shakespeare’s iconic use of English lost in translation, bold and reimagined versions...
Read MorePosted by Aleks Sierz | 6th Feb 2020 | London, Review, Theatre and Gender, United Kingdom
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
Read MorePosted by Ilse Ghekiere | 19th Jan 2020 | Belgium, Essay, Theatre and Gender
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read MorePosted by Alexander Nderitu | 17th Jan 2020 | Africa, Essay, New York, Theatre and Gender, Theatre and Politics, Transcultural Collaborations, United States of America
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Read MorePosted by Julian De Medeiros | 17th Jan 2020 | Adaptation, London, Review, Theatre and Gender, United Kingdom
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to...
Read MorePosted by Aleks Sierz | 16th Jan 2020 | Acting, Playwriting, Review, Theatre and Gender, United Kingdom
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
Read MorePosted by Abigail Weil | 16th Jan 2020 | Dramaturgy, New York, Prototype 2020, Review, Theatre and Gender, Theatre and Opera, Theatre and Religion, United States of America
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read MorePosted by Holly Rosen Fink | 12th Jan 2020 | Interview, New York, Theatre and Gender, United States of America
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
Read MorePosted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Julian De Medeiros | 14th Dec 2019 | Adaptation, London, Nigeria, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
Read MorePosted by Vikram Phukan | 11th Dec 2019 | India, News, Theatre and Art, Theatre and Gender
Anubha Fatehpuria will act out a miscellany of women characters, spanning more than a century in...
Read MorePosted by Maria Delgado | 27th Nov 2019 | Argentina, Review, Theatre and Gender
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
Read MorePosted by Maja Stefanovska | 21st Nov 2019 | Canada, Review, Theatre and Gender
David Mamet’s play Oleanna is about the power struggle between a university professor and one of...
Read MorePosted by Patrick Langston | 21st Nov 2019 | Canada, Review, Theatre and Gender
Oleanna, David Mamet’s then-startling play about sexual harassment and power dynamics, debuted in...
Read MoreM | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 31 |