Review: “The Hysteria Triptych” Offers Three Hinged-Together Looks At “Unhinged” Women
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...
Read MorePosted by Willow White | 21st Jun 2018 | Canada, Review, Theatre and Gender
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...
Read MorePosted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender
Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Marjan Moosavi | 9th Jun 2018 | Canada, Documentary Theatre, Iran, Playwriting, Review, Theatre and Gender
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
Read MorePosted by Jamie Portman | 7th Jun 2018 | Canada, Musical Theatre, Review, Theatre and Gender
There’s a memorable moment in the Three Sisters Theatre Company’s production of Miss Shakespeare...
Read MorePosted by Carla Chambers-Jeffreys | 4th Jun 2018 | Canada, Review, Theatre and Gender, Theatre and Politics
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
Read MorePosted by Willow White | 3rd Jun 2018 | Canada, LGBTQ+ Theatre, Review, Theatre and Gender
Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...
Read MorePosted by Diwan Singh Bajeli | 3rd Jun 2018 | India, Playwriting, Review, Theatre and Gender
Written by Jayant Dalvi, Savitri explores different perspectives of marriage and its relevance in...
Read MorePosted by Lora Krasteva | 27th May 2018 | Festivals, London, News, Producing, Theatre and Gender, Translation, United Kingdom
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Kee-Yoon Nahm | 20th May 2018 | Interview, South Korea, Theatre and Gender, Theatre and Politics
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Noah Riseman | 13th May 2018 | Australia, LGBTQ+ Theatre, Review, Theatre and Gender
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by Jane Baldwin | 13th May 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
Read MorePosted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
Read MorePosted by Rajashree Das | 7th May 2018 | India, Review, Theatre and Gender
Theatre Nisha’s Gallantly Fought the Queen took us on a voyage into the life and times of the Rani...
Read MorePosted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read MorePosted by Laurie Fyffe | 23rd Apr 2018 | Canada, Festivals, News, Playwriting, Theatre and Gender
In 2017, I came across the Ergo Arts Pink Festival with a mandate as follows: “Ergo Pink Fest is a...
Read MorePosted by Diwan Singh Bajeli | 23rd Apr 2018 | India, Review, Theatre and Gender
At the ongoing Theatre Olympics, Gujarati play Dhaad brought to fore the making and breaking of a...
Read MorePosted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
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