Critics Have A Duty To Look Beyond Appearance And Judge Performance. Otherwise They’re Just Creepy.
I went to see Flight Of The Conchords this week. The New Zealand musical comedy duo flaunted their...
Read MorePosted by Alice Jones | 3rd Jul 2018 | Essay, London, Theatre and Gender, United Kingdom
I went to see Flight Of The Conchords this week. The New Zealand musical comedy duo flaunted their...
Read MorePosted by Shiya Lu | 30th Jun 2018 | China, Festivals, Interview, LGBTQ+ Theatre, Theatre and Gender
The LookOUT Arts Festival, presented by Ibsen International, takes place in Beijing from July...
Read MorePosted by Laurie Fyffe | 25th Jun 2018 | Canada, Festivals, Review, Theatre and Gender
Re-visiting Shakespeare is a perennial theatrical exercise, and Richard the Third’s malevolent...
Read MorePosted by Margarita Vargas | 24th Jun 2018 | Adaptation, Mexico, Review, Theatre and Art, Theatre and Gender
The gardens at the Museum of Modern Art in Mexico City have been the site of Emmanuel Márquez’s...
Read MorePosted by Willow White | 21st Jun 2018 | Canada, Review, Theatre and Gender
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...
Read MorePosted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender
Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Marjan Moosavi | 9th Jun 2018 | Canada, Documentary Theatre, Iran, Playwriting, Review, Theatre and Gender
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
Read MorePosted by Jamie Portman | 7th Jun 2018 | Canada, Musical Theatre, Review, Theatre and Gender
There’s a memorable moment in the Three Sisters Theatre Company’s production of Miss Shakespeare...
Read MorePosted by Carla Chambers-Jeffreys | 4th Jun 2018 | Canada, Review, Theatre and Gender, Theatre and Politics
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
Read MorePosted by Willow White | 3rd Jun 2018 | Canada, LGBTQ+ Theatre, Review, Theatre and Gender
Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...
Read MorePosted by Diwan Singh Bajeli | 3rd Jun 2018 | India, Playwriting, Review, Theatre and Gender
Written by Jayant Dalvi, Savitri explores different perspectives of marriage and its relevance in...
Read MorePosted by Lora Krasteva | 27th May 2018 | Festivals, London, News, Producing, Theatre and Gender, Translation, United Kingdom
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Kee-Yoon Nahm | 20th May 2018 | Interview, South Korea, Theatre and Gender, Theatre and Politics
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Noah Riseman | 13th May 2018 | Australia, LGBTQ+ Theatre, Review, Theatre and Gender
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by Jane Baldwin | 13th May 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
Read MorePosted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
Read MorePosted by Rajashree Das | 7th May 2018 | India, Review, Theatre and Gender
Theatre Nisha’s Gallantly Fought the Queen took us on a voyage into the life and times of the Rani...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025