“Reasons To Be Graeae:” A Foreword From Mat Fraser
Mat Fraser is an English rock musician, actor, writer, and performance artist who performed with...
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Theatre and Disability
Compelling Performance And Complex Metaphor In “King Arthur’s Night” Make For Remarkable Theatre (PuSh Festival)
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
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Towards Cultural Access And Participation In Portugal
You can also read this article in French. IETM will host its forthcoming Plenary meeting in Porto,...
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Dramatic Soundscapes
Rather than experimental theatre, it is the realm of dance works that is considered to be much...
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Inclusivity: Welcoming Autistic Folk Into The Theater
I work for the National Autistic Society as their Autism Access Specialist. While this may seem...
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Disability And The Arts To Be Discussed Within D-CAF
In line with the Downtown Contemporary Arts Festival’s (D-CAF) commitment to addressing the...
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Why I Can’t Accept “Amy And The Orphans”
What do you do with a disabled child you can’t emotionally support? While not the biggest question...
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When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility
The discussions framing social theatre are all too often carried out in the language of public...
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Jess Thom On Touretteshero’s Production Of Beckett’s “Not I”: Mouth as a Disabled Character
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
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“Amy And The Orphans”: Down Syndrome Psychodrama?
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
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Warsaw’s Teatr 21 At POLIN: Passover Is A Celebration Of Freedom
Pesach or Passover is the most widely observed Jewish holiday and arguably the most joyful....
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What Is The Shape, Color, And Sound Of Pain?
Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...
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Amit Sharma Of Graeae Theatre On Staging A Production With A Hundred Disabled Artists In Chennai
It’s an incredibly hot day for February, and as I look across the vast grounds of Lady Willingdon...
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Examining “Tommy” Through a Neurodiverse Lens
Ramps on the Moon’s adaptation of Pete Townsend’s 1969 concept album ‘Tommy’, toured the UK...
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Sign Language “Three Sisters” To Hit The Silver Screen
A new vision of Three Sisters play will hit U.S. and UK cinemas. Theater company Stage Russia is...
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The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries
The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...
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Interview With Mickey Rowe: A Leader In Autism Representation On Stage
This fall, Mickey Rowe was the first autistic actor to play Christopher Boone, the autistic main...
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“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
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Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
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Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists
Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...
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