‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
Read MorePosted by William Gregory | 16th Jan 2018 | France, News, Playwriting, Spain, Translation
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
Read MorePosted by Ahram Online | 14th Jan 2018 | Egypt, News, Playwriting
The latest play by the Modern Theatre troupe, titled Forsa Saeeda (Nice To Meet You), has opened...
Read MorePosted by Molly T. Blasing | 9th Jan 2018 | Playwriting, Review, Russia, Russian Theatre - Featured, Theatre and Politics
Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...
Read MorePosted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
Read MorePosted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
Read MorePosted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
Read MorePosted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
Read MorePosted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
Read MorePosted by Aleks Sierz | 12th Dec 2017 | Essay, London, Playwriting, Review, Theatre and Politics, United Kingdom
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
Read MorePosted by Shelley Liebembuk | 3rd Dec 2017 | Canada, Playwriting, Review, Theatre and Gender
In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...
Read MorePosted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
Read MorePosted by Aleks Sierz | 22nd Nov 2017 | London, Playwriting, Review, United Kingdom
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...
Read MorePosted by Aleks Sierz | 21st Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
Read MorePosted by Gary Shipton | 20th Nov 2017 | Festivals, London, Playwriting, Review, United Kingdom
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
Read MorePosted by Aleks Sierz | 19th Nov 2017 | London, Playwriting, Review, United Kingdom
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
Read MorePosted by Sebanti Sarkar | 19th Nov 2017 | India, Playwriting, Review, Theatre and Politics
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
Read MorePosted by Diwan Singh Bajeli | 13th Nov 2017 | Festivals, India, Playwriting, Review
This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...
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