“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center
Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...
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Playwriting
Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
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Monster Mashup: Mabou Mines Takes On Tennessee Williams
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
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In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
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Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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A Mexican Rendition Of Schmitt’s “Enigma Variations”
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
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British New Writing In An Age Of Austerity
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
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Tracing With Body And Music In Jeff Ho’s “Trace”
In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...
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David Eldridge’s “Beginning” at The National Theatre
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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“Heather” at The Bush Theatre
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...
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“Poison” at The Orange Tree Theatre
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
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James Graham’s “Quiz” With Audience Participation
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
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“The Retreat” at The Park Theatre
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
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Theatre Of The Real: Bengali Playwright Manoj Mitra’s New Work on Socrates
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
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Tale Of A Wounded Soul
This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...
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“Young Marx” at Bridge Theatre
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
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Family, Latinidad, and Queerness Coalesce In Marga Gomez’s “Latin Standards”
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
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