Directing Archives - Page 6 of 12

Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems

Posted by Jessica Doherty | 27th Jan 2020 | Directing, Interview, Los Angeles, United States of America

Alana Dietze is an actress and director in Los Angeles. She is a company member and literary...

“The Fifth Act” or Theatrical Requiem with Niko Gorsic

Posted by Ivanka Apostolova Baskar | 25th Jan 2020 | Directing, Interview, Slovenia

Niko Gorsic is a Slovenian actor, performer, and theater director working under the pseudonym...

“Dr. Hoffmann’s Sanatorium”: Delving Deep into the Weird World of Kafka

Posted by Nobuko Tanaka | 26th Dec 2019 | Directing, Interview, Japan

The starting point for Dr. Hoffmann’s Sanatorium was, according to the play’s Japanese creator,...

Capitalizing on the Pull of Experimental Japanese Theatre

Posted by Nobuko Tanaka | 21st Dec 2019 | Directing, Japan, News

Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...

Amanda Levie: Founder-Director of No Peeking Theatre

Posted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America

Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...

An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong

Posted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan

US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...

“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”

Posted by Sania Lekshmi and Nidhi Panicker | 23rd Sep 2019 | Directing, India, Interview

“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...

On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski

Posted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations

Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...

Building Bridges To Bangkok Through Stage

Posted by Nobuko Tanaka | 1st Aug 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations

Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...

Deepan Sivaraman on Going Beyond Words to Embrace The Visual Language of Theatre

Posted by Sohaila Kapur | 30th Jul 2019 | Directing, India, Interview

The ace director has often faced flak from traditionalists. For well over a decade now, Deepan...

Syrian Wael Ali’s Play “Under Low Skies” to Premiere in Napoli, Italy

Posted by Ahram Online | 29th Jul 2019 | Directing, Italy, Napoli Teatro Festival 2019, News, Syria

The documentary theatre piece Under Low Skies (Sous Un Ciel Bas) from Syrian director Wael Ali had...

Githa Sowerby’s “Rutherford And Son” at The National Theatre

Posted by Aleks Sierz | 14th Jun 2019 | Directing, London, Review, Theatre and Gender, United Kingdom

Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...

Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History

Posted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics

Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...

Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla

Posted by Prabalika M. Borah | 13th May 2019 | Adaptation, Directing, India, News

Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...

The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre

Posted by Dmitry Ermalovich-Dashchynski | 12th May 2019 | Belarus, Design, Directing, Review

Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....

Samara Hersch: Theatre For The People, By The People

Posted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview

Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...

Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi

Posted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview

Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...

On Teaching Directing: The Essential Five

Posted by Fadi Fayad Skeiker | 5th Mar 2019 | Directing, United States of America

After teaching directing for several years, across the globe and at different kinds of...

Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London

Posted by Katalin Trencsényi | 25th Feb 2019 | Directing, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations

It was long overdue for a British audience to be given the opportunity to see another work by the...

Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf

Posted by Peter Eckersall | 13th Feb 2019 | Directing, Documentary Theatre, Interview, Lebanon

Peter Eckersall: How did you come into theatre and how did you start working around this idea of...

Directing

Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems

“The Fifth Act” or Theatrical Requiem with Niko Gorsic

“Dr. Hoffmann’s Sanatorium”: Delving Deep into the Weird World of Kafka

Capitalizing on the Pull of Experimental Japanese Theatre

Amanda Levie: Founder-Director of No Peeking Theatre

An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong

“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”

On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski

Building Bridges To Bangkok Through Stage

Deepan Sivaraman on Going Beyond Words to Embrace The Visual Language of Theatre

Syrian Wael Ali’s Play “Under Low Skies” to Premiere in Napoli, Italy

Githa Sowerby’s “Rutherford And Son” at The National Theatre

Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History

Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla

The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre

Samara Hersch: Theatre For The People, By The People

Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi

Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London

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