Necromancers of the Public Domain: Art Both Free and Liberating
In 1919, following the devastation of the First World War, a movement arose to aid in the...
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Design
Sonic Realm Theatricals In Belarusian Theatre
In order to demystify Belarusian theatre for those, who are not familiar with it, it might be...
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The Immigrant Dragons – Part III: Creating A Dragon That Will Last 100 Years
Under a busy flyover where the Island Eastern Corridor becomes Chai Wan Road sits an unassuming...
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The Immigrant Dragons–Part II: On The Hunt For The Right Master
For 126 years, the small Australian city of Bendigo has embraced Chinese dragons. This year, their...
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A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre
This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...
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The Sight of Sound: Samson Young Explores the Audio of Authenticity
For an artist known for engaging the political in his work, it’s perhaps impossible for Samson...
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Less Is More Or Less Is Less: The Balancing Act Of Designing Big Musicals In Small Spaces
Joe Klug is a gifted scenic designer who has a passion for reimagining musicals, particularly in...
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Léon Bakst, The Eclectic Genius Of The Ballets Russes: A Documentary Exhibition In Venice
The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...
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The Expanding Notion Of Scenography And The Swiss Contribution To The 14th Prague Quadrennial
Scenography is generally considered an element of secondary importance in theatre since its main...
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The Painter: An Allegory, By Lighting Designer Cory Pattak
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
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Give Meaning Through Architecture – Jan Pappelbaum And “What Is Stage – From Text to Space”
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
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A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
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Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display
It is always an excitement to anticipate a show if one sees the name Ming-hang...
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A Day In The Life Of Liz Crossman: Costume Prop Maker And Milliner
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
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The Thumbnail Sketch Series: Sean Fanning and the Courage to Remain Incomplete
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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The Thumbnail Sketch Series: Paige Hathaway And The Impulse For Scenic Design
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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Finding Common Language: Paul Tate DePoo III Brings His Set Design For “Titanic” To Seoul, South Korea
I love Titanic, the sweeping Broadway musical with a book by Peter Stone and a score by Maury...
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Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
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